中国年轻人得了“首尔病”？

Core Viewpoint - The concept of "Seoul Syndrome" has emerged among young Chinese travelers, indicating a deep emotional attachment to Seoul after visiting, often leading to feelings of nostalgia and longing for the city [1][4][5]. Group 1: Media Coverage - KBS reported on "Seoul Syndrome," linking it to the rising enthusiasm of Chinese tourists visiting South Korea, showcasing emotional reactions such as crying at the airport upon departure [3][4]. - MBC attributed the phenomenon to the influence of K-pop and the broader Korean Wave, suggesting that any experience in Korea is documented and shared by enthusiastic Chinese tourists [4]. - SBS expanded the definition of "Seoul Syndrome" to include both tourists and students, indicating a longing for the idealized aspects of Korean society and culture after returning to their mundane lives in China [4][5]. Group 2: Cultural Context - The term "Seoul Syndrome" is not a creation of Korean media but has roots in the experiences of Korean pop culture enthusiasts who feel a connection to Korea through their idols [8][9]. - The phenomenon has been compared to other cultural syndromes, such as "Paris Syndrome," where tourists experience a stark contrast between their romanticized expectations and the reality of the destination [15][16]. Group 3: Social Media Influence - The initial popularity of "Seoul Syndrome" was driven by emotional videos shared on social media, particularly one featuring a swing in Han River Park, which resonated with many viewers [11][13]. - The term has since been co-opted for humorous content, leading to a dilution of its original meaning and a shift towards a more sarcastic interpretation among the general public [11][15]. Group 4: Economic Implications - The media's portrayal of "Seoul Syndrome" is seen as a strategy to boost South Korea's tourism industry, especially with the upcoming visa-free travel for Chinese group tourists [4][20]. - Critics argue that instead of creating a false narrative of cultural admiration, South Korean media should focus on practical measures to improve the experience for Chinese tourists, such as reducing negative portrayals and fostering a more welcoming environment [20].