新质生产力带动 中国影视工业提质升级
Yang Shi Wang·2025-10-08 05:09

Core Insights - The Chinese film market is experiencing a strong recovery driven by diverse content and robust consumer activity, showcasing the resilience of the cultural industry [1] - New productive forces are facilitating the digital and intelligent transformation of the film industry, leading to the emergence of new film production bases that are becoming key players in the international film industry [1] Group 1 - The film "Assassination Novelist 2" features seamless transitions between virtual and real worlds, utilizing LED virtual shooting and AI-driven facial capture technology, significantly enhancing production efficiency and artistic precision [3] - This transformation from "unimaginable" to "achievable" is a core driver of the qualitative changes occurring in the Chinese film industry, enriching market choices [3] Group 2 - The year 2025 is anticipated to be the "Year of Technological Explosion in Chinese Cinema," with "Nezha: The Devil's Child" not only breaking box office records but also promoting deep integration of "film + technology" [5] - The film involved over 138 animation companies and more than 4,000 production personnel, with over 1,900 special effects shots, showcasing a comprehensive execution system for modeling, effects, and rendering [5] - The use of LED virtual shooting systems in the production of "Nezha 2" has improved outdoor shooting efficiency by over 60% [5] - The Nezha IP has transformed into a cultural and tourism consumption hotspot through cross-industry collaborations, while digital creative parks are forming a cultural and technological industry cluster [5] - Qingdao Oriental Movie Metropolis has developed a full-process digital shooting solution, achieving micron-level precision for creating digital avatars of actors [5] - The Zhejiang Deqing AI Virtual Film Base houses the world's largest single LED virtual studio, integrating a computing power center and digital asset library, marking a shift towards a mature, large-scale digital infrastructure in Chinese cinema [5]