国庆文娱消费报告：线下演出日趋下沉小众化

Core Insights - The entertainment consumption report for the National Day holiday indicates significant growth in domestic performance projects and audience attendance, highlighting a shift towards smaller, niche events in lower-tier cities [1][2] Group 1: Performance and Attendance Growth - From October 1 to 6, the total number of domestic performance projects exceeded 3,100, representing a year-on-year increase of 12.3% [1] - The total number of performances reached nearly 15,000, up approximately 4.4% year-on-year [1] - Total audience attendance reached 1.94 million, showing a year-on-year growth of 39.5% [1] - The fastest-growing categories include sports events, music festivals, and concerts, with audience attendance increasing by 264%, 66.6%, and 39.7% respectively [1] Group 2: Market Trends in Lower-Tier Cities - There is a notable trend of performances becoming more "downward" and "niche," with total performances in third to fifth-tier cities increasing by 34.1% and total box office revenue rising by 86.6% year-on-year [1] - Niche performances such as stand-up comedy and Livehouse events are gaining popularity among younger audiences, with theater performances and stand-up comedy ticket sales increasing by 16.8% and Livehouse ticket sales growing by over 16% year-on-year [1] Group 3: Box Office Performance - The total box office revenue for the first six days of the National Day holiday reached 1.539 billion yuan [2] - The top five films during this period each surpassed 100 million yuan in box office revenue, with audience preferences varying by region [2] - The average ticket price during the first six days was 36.8 yuan, down from 40.4 yuan in the same period last year, indicating a lower barrier to entry for moviegoers [2] Group 4: Online and Offline Consumption Trends - The report indicates that the 30 to 39 age group is becoming the main force in "home entertainment," with their viewing time during the holiday increasing by 38.2% compared to the week before the holiday [2] - In contrast, older adults show a stronger willingness for offline cultural consumption, reflecting differing vacation needs across age groups [2]