中年戏骨，被迫霸屏

Core Viewpoint - The current dominance of a few middle-aged actors in the Chinese film and television industry reflects a structural crisis within the industry, where the limited supply of diverse content has led to a repetitive use of the same actors in various roles [5][16][47]. Group 1: Current Trends in Casting - The upcoming adaptations of the Four Great Classical Novels have raised concerns about the availability of suitable male actors, highlighting the industry's reliance on a small pool of established talent [1]. - Prominent actors like Lei Jiayin, Zhang Yi, and Yu Hewei have become ubiquitous in various genres, leading to criticisms of their performances being too similar and lacking diversity [2][3][10]. - The phenomenon of "霸屏" (dominating the screen) among these actors is not merely a result of their popularity but is indicative of a broader issue within the industry, where fewer options are available for casting [5][16]. Group 2: Industry Challenges - The number of new productions has significantly decreased, with only 25 long dramas starting filming in the first quarter of 2025, a stark contrast to previous years [17]. - The issuance of broadcasting licenses has also declined, with only 115 licenses granted in 2024 compared to 429 in 2014, indicating a shrinking market for new content [18]. - The industry is facing a structural crisis, where the concentration of resources among a few actors is a symptom of a larger problem: a lack of diverse and high-quality content being produced [5][16][47]. Group 3: Actor Dynamics - Actors like Zhang Yi have expressed the need to take breaks from acting to avoid typecasting, indicating a self-awareness of the industry's repetitive nature [5][10]. - The reliance on a few established actors is not a new phenomenon; historically, other actors have also dominated the screen during their peak years, but the current situation is exacerbated by a lack of variety in available roles [13][15]. - The industry's focus on a limited number of actors reflects a broader trend of risk aversion among producers, who prefer to invest in familiar faces rather than explore new talent [20][41]. Group 4: Future Outlook - The recent "广电21条" policy aims to revitalize the industry by easing restrictions on content production, which could potentially lead to a more diverse array of projects and actors being featured [33]. - The industry's future will depend on its ability to expand the variety of content and opportunities for actors, moving away from a reliance on a few dominant figures [47]. - The need for a more balanced approach to casting and content creation is essential for the long-term health of the industry, as it seeks to attract a broader audience and foster new talent [47].