Core Viewpoint - The South Korean film industry is experiencing a significant downturn, with only 17 films produced this year, raising concerns about the future of local cinema [1][4]. Group 1: South Korean Film Market - The South Korean film market is described as being in a "collapse" state, with a drastic reduction in film production and a lack of major box office hits [1]. - The director Kim Seong-soo expressed that there is virtually no one making films in South Korea anymore [1]. - The situation mirrors previous concerns about the Korean drama market, which has also faced challenges but continues to produce content primarily through streaming platforms like Netflix [4]. Group 2: Domestic Film Industry Trends - The domestic film industry is also seeing a decline in project initiations, with major studios adopting a cautious investment approach [6]. - Notable projects this year include over 50 live-action films, but there is a clear trend towards cost-cutting and efficiency [6]. - Major studios like Wanda, LeTV, and Bona have significantly reduced their project outputs compared to previous years, indicating a shift in investment strategies [10][12]. Group 3: Investment and Production Shifts - Companies are increasingly focusing on smaller, more manageable projects, with a notable rise in female-led narratives and collaborations with streaming platforms [21][23]. - The trend of production companies diversifying into film projects is evident, with several companies that traditionally focused on series now investing in films [20][21]. - The involvement of distribution and marketing companies in film production is increasing, as they seek to adapt to the changing market dynamics [21][25]. Group 4: Emerging Opportunities - Despite the downturn, there are signs of resilience as production companies pivot towards new content types, including female-centric stories and collaborations with emerging directors [15][20]. - Companies like iQIYI are actively investing in film projects, indicating a willingness to explore new narratives and support new talent [15]. - The current market environment is seen as a transitional phase, where traditional business models are being reassessed, and new creative directions are being explored [25].
韩国今年就拍了17部，中国谁还在拍电影？