“2025北美菁英共创宣讲会” 在洛杉矶举办 虎鲸文娱人才计划正式出海

Core Insights - Alibaba's cultural entertainment group, Whale Entertainment, is accelerating its talent internationalization strategy by hosting the "2025 North American Elite Co-Creation Presentation" in Los Angeles, targeting Chinese-speaking young directors, screenwriters, and producers educated in North American film schools [1][3] Group 1: Event Overview - The event invited 35 young creators from top film schools such as USC, UCLA, and Columbia University, many of whom have already gained recognition at international film festivals like Cannes [3] - Key executives from Whale Entertainment, including President Li Jie and Vice President Liu Yanhong, participated in discussions with these talented creators to share experiences in film creation [3][5] Group 2: Talent Development Initiatives - Whale Entertainment's "Haina International Young Director Development Program" aims to attract young creators with international perspectives to enhance the Chinese film industry's development [5] - The program has identified three support methods for young creators: providing director agency services, serving as B-group directors on major projects, and incubating original IP projects [5] - As of September 2025, the program has recruited 67 young directors from various global film schools, with some already receiving nominations and awards at major film festivals [5] Group 3: Market Analysis and Future Plans - Liu Yanhong highlighted the structural changes in the Chinese film market, emphasizing the need for a return to "good stories" and the establishment of a new ecosystem for talent cultivation [6] - The "Spring Seed Screenwriter Program" was launched to address the talent gap in the industry, successfully discovering 27 new screenwriters and supporting 25 quality projects [6] - Future aspirations include further embedding the Spring Seed program in Hollywood, leveraging funding for projects modeled after American and Korean dramas [7] Group 4: Challenges for Creators - Zheng Fei addressed the challenges faced by returning overseas creators, emphasizing the importance of understanding market preferences to produce relevant content [8]