作为一种文化现象的“神曲”｜新京报中文学术文摘

Core Insights - The article discusses the evolution of "Shenqu" (divine songs) from unique cultural phenomena to widely accessible forms of entertainment, reflecting societal emotions and experiences [1][3]. Group 1: Research Background and Methodology - The authors, Tang Tiantian and Wen Manlu, explore "Shenqu" through interviews and text analysis, focusing on its cultural significance in the digital age [3][5]. - The study spans from 2010 to 2020, marking the rise of "Shenqu" with the song "Tante" in 2010, which garnered over 20 million online plays [5][19]. - The research employs qualitative methods, including semi-structured interviews with 20 participants from various demographics, and text analysis using ROST content mining software [19][20]. Group 2: Findings on "Shenqu" - "Shenqu" serves as a cultural noise that reflects societal sentiments regarding love, work pressure, and the passage of time, evolving through three distinct phases: 2010-2013, 2014-2017, and 2018-2020 [25][56]. - The lyrics of "Shenqu" from 2010-2013 emphasize themes of love and emotional struggles, while the 2014-2017 period introduces more playful and nonsensical elements, reflecting societal pressures [25][28]. - By 2018-2020, "Shenqu" lyrics became richer, addressing themes of hope and reflection on time, indicating a shift in cultural expression [30][34]. Group 3: Social Connectivity and Cultural Impact - "Shenqu" has a unique ability to connect diverse audiences, transcending generational and social barriers through its infectious melodies and relatable themes [46][51]. - The phenomenon of "Shenqu" illustrates a shift from traditional music consumption to a more interactive and participatory experience, where audiences engage with the content through imitation and performance [57][58]. - The study highlights the role of "Shenqu" in fostering a sense of community and shared experience, as it often serves as background music in public spaces, enhancing social interactions [51][56].