岁月不改丹青志

Core Perspective - The exhibition "Mirror of Time - Feng Yuan's Chinese Painting Exhibition" at the National Grand Theatre Art Museum reflects the intertwining of individual growth and societal changes, showcasing Feng Yuan's artistic journey and his thoughts on the modern transformation of Chinese painting [2][3]. Group 1: Exhibition Structure and Themes - The exhibition is divided into four sections: "Ancient Capital Chronicles," "Life Reflections," "Echoes of the Ancients," and "Heaven and Earth Affection," representing Feng Yuan's artistic career and his exploration of modern Chinese painting [2][3]. - Feng Yuan's diverse life experiences, from education to cultural administration, enrich his artistic perspective, allowing him to infuse more varied thoughts into his creations [3]. Group 2: Artistic Focus and Techniques - The "Ancient Capital Chronicles" section emphasizes urban landscapes through Chinese painting, while the "Heaven and Earth Affection" section connects with nature, showcasing the duality of modern city life and traditional landscapes [4]. - Feng Yuan's latest series "Old Beijing Firewood Families" captures the essence of ordinary people's lives in Beijing, reflecting cultural nuances and emotional depth [4]. - He believes that modern urban landscapes will become significant subjects in Chinese painting, particularly "urban landscapes," which represent a new tradition in the evolution of Chinese landscape painting [4]. Group 3: Human Element in Art - The "Life Reflections" section focuses on the authentic state of life through vivid character portrayals, emphasizing the importance of capturing the essence of contemporary individuals, especially in the context of modernization [5]. - Feng Yuan's work "Tomorrow's Son" symbolizes the aspirations of youth and the future of the nation, reflecting his commitment to portraying the ideals of the younger generation [5]. Group 4: Historical Context and Responsibility - The "Echoes of the Ancients" section highlights significant historical events and figures, addressing the lack of representation of such themes in Chinese art history [6][7]. - Feng Yuan feels a personal responsibility to document the era through his art, believing that some artworks hold value beyond monetary worth, serving as cultural and historical records [7]. Group 5: Future of Chinese Painting - Feng Yuan advocates for a modern transformation of Chinese painting, emphasizing the need to balance traditional techniques with contemporary themes and styles [8]. - He poses the challenge for contemporary artists to innovate and explore new expressions of future life, reflecting the evolving cultural landscape in the age of artificial intelligence [8].