Group 1 - The 2025 Beijing International Audio-Visual Conference gathered representatives from over 20 countries to discuss the global dissemination of Chinese audio-visual works and international collaboration in the industry [3] - The conference emphasized that only works with depth of thought, artistic charm, and cultural warmth can transcend borders and resonate with audiences [4] - The success of Chinese dramas like "My Alatai" and "The Story of Roses" in various countries highlights the growing interest in Chinese narratives and cultural themes [5][6] Group 2 - The acceptance of Chinese aesthetics in European markets is increasing, with shows like "Guose Fanghua" successfully airing on Hungarian national television [6] - The rise of micro-short dramas in Latin America is attributed to their narrative style aligning with local audience preferences, with predictions of the market size exceeding $10 billion in the next 2-3 years [7] - The shift from simple copyright transactions to collaborative IP development signifies a new phase in international audio-visual cooperation, focusing on sustainable ecosystems [8] Group 3 - Technological innovations, particularly AI, are reshaping the global audio-visual industry, enabling faster production and localization of content [9] - AI tools can significantly reduce the time required for dubbing and subtitling, allowing for broader participation from countries with limited resources [9] - The establishment of platforms utilizing blockchain technology aims to address digital copyright issues in the industry [9] Group 4 - Audio-visual media is recognized as a vital tool for cultural exchange and economic value creation, facilitating cross-cultural understanding [10]
编织文明交流互鉴的金丝带(深观察)
Ren Min Wang·2025-12-08 01:28