Core Viewpoint - The article emphasizes the rich ecological philosophy embedded in traditional Chinese culture, particularly through landscape and flower-and-bird paintings, which reflect the harmonious coexistence of humans and nature, contributing to global sustainable development and ecological civilization in China [1][4]. Group 1: Ecological Aesthetics - Ecological aesthetics is rooted in a profound understanding of the beauty of nature, with artists observing and depicting natural elements in various ways, showcasing the changing forms of nature across seasons [1][2]. - The concept of "qi yun" (气韵) in Chinese painting represents the rhythm of life, emphasizing the pursuit of vitality and spirit in art, particularly in flower-and-bird paintings, which focus on the essence of life rather than mere physical characteristics [2][3]. Group 2: Relationship Between Humans and Nature - Traditional Chinese paintings serve as a bridge between humans and nature, highlighting the interdependence and holistic relationship between the two, which distinguishes them from other aesthetic models [3][4]. - The integration of human figures in landscape paintings illustrates the idea that humans are an integral part of nature, revealing the harmonious relationship between the two [4]. Group 3: Contribution to Sustainable Development - The principles reflected in traditional Chinese landscape and flower-and-bird paintings align with contemporary goals of building a shared global ecological community, suggesting that studying and inheriting these ecological aesthetic wisdoms can energize this development trend [4].
坚守中国传统生态审美智慧(艺坛走笔)
Ren Min Ri Bao·2025-12-13 22:01