Group 1 - The core idea of the articles is that digital technology, particularly AI, is revitalizing ancient Chinese paintings, allowing them to be experienced in immersive and interactive ways, thus bridging the gap between traditional art and modern expression [1][2]. - Digital technology is reshaping ancient paintings by transforming them from static exhibits into dynamic, cross-temporal experiences, exemplified by projects like the "Chinese Historical Painting Series" and movable replicas of the Yungang Grottoes [1]. - The integration of digital tools enables a deeper understanding of traditional painting aesthetics, revealing the philosophical and aesthetic concepts embedded within the artworks, such as the harmony between nature and humanity [2]. Group 2 - Digital technology is creating interactive cultural spaces that allow audiences to engage with ancient art in new ways, such as through immersive experiences like "Light and Shadow Danqing," which invites viewers to step into the artwork [2]. - The future of cultural digitalization is seen as a blend of technological innovation and scene expansion, aimed at meeting contemporary needs and enhancing the spiritual lives of the people, thereby opening new avenues for cultural development [2].
数字技术,助古画“焕新、达意、致远”(新语)
Ren Min Ri Bao·2025-12-23 22:31