展现中华文化多元之韵

Core Viewpoint - The article highlights the significance of the Qiangmu dance as a cultural heritage of Tibet, emphasizing its historical roots, artistic value, and ongoing efforts for preservation and promotion in contemporary society [6][7]. Group 1: Historical Significance - Qiangmu, with origins tracing back to the 8th century, was established by Padmasambhava during the consecration of Samye Monastery, initially serving purposes of purification and blessing [6]. - The dance has evolved over centuries, integrating elements from folk dances and becoming a cultural treasure that embodies religious beliefs and local customs [6]. Group 2: Preservation Efforts - In the 1990s, Qiangmu faced a crisis of transmission, with few young practitioners remaining and mask-making skills nearing extinction [7]. - The government and local authorities have implemented various measures for preservation, including identifying inheritors, establishing training centers, and incorporating Qiangmu into intangible cultural heritage tourism routes [7]. Group 3: Cultural Exchange and Promotion - Qiangmu has gained wider recognition through cross-regional exchanges and cultural tourism, with performances in Hong Kong and Macau attracting significant attention [7]. - The dance has been featured in international tourism expos, showcasing its blend of religious solemnity and folk vibrancy, leading to interest from cultural tourism organizations for collaboration [7]. Group 4: Performance Elements - Each movement and gesture in Qiangmu is highly structured, reflecting the daily lives of Tibetan people, with specific steps designed to create atmosphere and engage the audience [8][9]. - The performance incorporates various traditional instruments, such as the horn and drum, which enhance the ceremonial ambiance and are considered essential for communication with the divine [10]. Group 5: Mask Craftsmanship - Qiangmu masks are intricate works of art that symbolize the fusion of craftsmanship and belief, with colors representing different virtues and roles within the performance [11][12]. - The creation of these masks involves meticulous processes, taking months or even years to complete, and they are treated with great reverence [11]. Group 6: Modern Adaptations - Qiangmu performances have adapted to modern contexts, such as at Yonghe Temple in Beijing, where traditional elements are preserved while also being tailored to contemporary audiences [12][13]. - The "sending away of evil" ritual has become a distinctive cultural activity in Beijing, reflecting the integration of Qiangmu into local customs and community life [13].