2026年漫剧第一爆，陷入抄袭罗生门？

Core Viewpoint - The launch of the AI comic drama "I Open a Supermarket in the Apocalypse, S-Class Weirdos Rush to Work" by Lingjing Wanhui was initially successful, achieving over 220 million views on Douyin and a heat value exceeding 5300 within three days. However, it soon faced copyright infringement allegations from Mantan Culture Media, claiming that the work plagiarized their own series [1][3]. Group 1: Infringement Allegations - Mantan Culture Media issued a notice detailing the "core similarities" between their work and Lingjing Wanhui's, highlighting that both share a "post-apocalyptic + spiritual recovery" setting, with protagonists awakening abilities in harsh environments to rebuild civilization [4]. - The company created a "color palette" comparison, asserting that character settings, dialogues, and family conflict plots in both works are "completely identical," with main storylines showing "complete overlap" [8]. - Lingjing Wanhui strongly denied the plagiarism claims, stating that their work is entirely original and that the similarities cited by Mantan are common tropes in the post-apocalyptic genre, which do not constitute unique content [8][9]. Group 2: Industry Context and Legal Challenges - The dispute reflects a broader issue in the short drama and AI comic drama sectors, where copyright infringement disputes have become increasingly common, echoing previous controversies in the short drama market [11]. - Legal experts suggest that determining plagiarism involves assessing "contact + substantial similarity," meaning that if a later work had the opportunity to access an earlier one and shows significant similarity in protected expressions, it may be deemed infringing [13]. - The challenges of enforcing copyright in the rapidly evolving AI comic drama landscape are compounded by the low costs of infringement and the lengthy litigation processes, which often discourage creators from pursuing legal action [16][17].