“精品剧未必成为爆款，但爆款剧必定是精品”

Core Insights - The discussion at the "2025 Annual Evaluation List" event focused on how long dramas can continue to attract viewers amidst the popularity of short videos and how to break the "sequel curse" in the industry [1] Group 1: Long Drama Production Insights - The producer of "Silent Glory," Ma Zhongjun, highlighted the challenges faced during the show's development, particularly regarding the portrayal of Taiwan's historical struggles, which ultimately received support for its production [3] - The creative team of "Silent Glory" worked extensively to seek authorization from the descendants of historical figures, successfully portraying the heroism of underground workers without overly glorifying them [3] - The core message of "Silent Glory" emphasizes the unfulfilled wishes of martyrs for national unity and reunion, resonating with audiences and reflecting a shared sentiment for cross-strait unity [3] Group 2: Successful Themes in Recent Dramas - The rural-themed drama "Life of All Things" achieved both critical acclaim and popularity by focusing on the relationship between land and people, showcasing authentic rural life [5] - Director Liu Jiacheng emphasized the importance of creating quality content without following trends, stating that true masterpieces require sincere effort and dedication [6] - "Life of All Things" was adapted from a novel that won a literary award, demonstrating the value of strong literary foundations in enhancing the artistic quality of adaptations [6] Group 3: Innovations in Series Production - The producer of "Tang Dynasty Strange Stories," Wang Bing, discussed how the series maintains its appeal to young audiences by integrating profound explorations of human nature and incorporating national treasures into the storyline [9] - The series has successfully aired three seasons with 24 stories, thanks to actively listening to audience feedback, and the next season is set to return to a Three Kingdoms backdrop [9] - Zhang Ben, producer of "Cang Hai Chuan," noted that the success of long dramas lies in their ability to tell compelling stories, countering the notion that audiences prefer fast-paced content [11] Group 4: The Future of Long Dramas - The forum addressed the impact of short videos on audience attention spans, with Ma Zhongjun asserting that long and short dramas serve different viewing experiences and both have their value [14] - Liu Jiacheng mentioned that the rise of short videos encourages long drama creators to innovate storytelling techniques, emphasizing the need for engaging openings [14] - Zhang Ben highlighted that long dramas can provide deeper emotional and human expressions due to their length, which is an irreplaceable value in storytelling [14]