短剧不能“硬”慢

Core Insights - The article discusses the emerging trend of "slow narrative" in short dramas, which contrasts with the traditional fast-paced storytelling that characterized the genre. This shift is seen as a symbol of sophistication and quality in the industry [1][3][10]. Group 1: Industry Trends - The success of "slow narrative" was initiated by the drama "Summer Fendela," which opened the market for more artistic and emotionally rich storytelling, leading to a wave of similar productions [1][3]. - Short dramas are increasingly adopting a "literary" style, focusing on emotional depth and aesthetic quality, which has resulted in a significant increase in the supply of such content [10][16]. - Despite the rise of slow narratives, there is a growing concern that this trend may lead to a dilution of the tension and excitement that short dramas traditionally offered, as audiences express a desire for faster-paced content [3][17]. Group 2: Narrative Techniques - The "literary feel" in short dramas is characterized by a slower pace and an emphasis on atmosphere, often showcasing mundane daily life to enhance emotional connections [4][5]. - A notable shift in narrative structure is observed, moving from conflict-driven openings to those that prioritize atmosphere and emotional resonance, which can lead to a more subdued viewing experience [7][8]. - The dilution of conflict intensity in narratives has been noted, with fewer conflicts per episode and a tendency to focus on character introspection rather than external drama [9][10]. Group 3: Challenges and Opportunities - The industry faces a challenge in balancing the demand for deeper storytelling with the inherent limitations of short drama formats, which often restrict character development and narrative complexity [10][13]. - There is potential for innovation through the integration of various styles, such as blending elements from literary films and classic dramas, to enhance the narrative quality without losing the essence of short dramas [13][14]. - The article suggests that while "slow narrative" can enhance the quality of short dramas, it should not become the dominant approach, as this could lead to viewer fatigue and a loss of engagement [17][20].