Core Viewpoint - The launch of "Chinese Tales 2" continues the series' focus on traditional culture and contemporary emotional expression, further expanding the "Tales Universe" [2][8]. Group 1: Creative Approach - The series aims for a balance in creative style and expression, with each short film exploring specific themes to avoid a lack of distinctiveness [3]. - The first short film, "How to Become Three Dragons," uses the myth of "snake transforming into dragon" to address identity recognition, emphasizing the importance of accepting one's ordinary self for true growth [3]. - "Ear in the Ear," inspired by "Strange Stories from a Chinese Studio," visualizes inner desires through the character of an ear demon, prompting reflections on self-acceptance and emotional resonance [3]. Group 2: Diversity in Creation - The creative team does not aim to label the series as "Chinese aesthetics," but rather pursues diversity, combining different elements to create new possibilities [4]. - The short film "San Lang" blends martial arts with science fiction, while "Today's Zoo" employs a mockumentary style to tell animal stories, showcasing innovative approaches [4]. Group 3: Growth and Reflection - The creative process is described as "growth" rather than "breakthrough," with the team accumulating experience and evolving their understanding of storytelling [5]. - The film "Little Snow" uses traditional Chinese medicine as a metaphor to explore family relationships, prompting creators to reflect on their own parenting experiences [5]. Group 4: Director Collaboration - "Chinese Tales 2" features a mix of new and returning directors, with each director encouraged to explore their unique styles while maintaining a supportive collaborative environment [6]. - The director emphasizes the importance of returning to the original intent of storytelling while allowing for creative freedom during the production process [7]. Group 5: Audience Engagement - The integration of traditional culture in a creative manner is highlighted, with the audience's engagement through Bilibili's bullet screen culture providing immediate feedback and interpretations of the stories [8]. - The return of characters from previous episodes, such as the peddler in "Ear in the Ear," showcases the audience's emotional connection and interpretations, enriching the narrative experience [8]. Group 6: Future Aspirations - The team aims to continue exploring traditional culture and contemporary expression, hoping to attract more young animators to contribute to the "Tales Universe" [8].
《中国奇谭》回归,中式奇想如何构建国漫新坐标