凌晨三点，彻底失眠：Seedance 2.0告诉我们，AI对现实世界工作流“压缩”正在加速

Core Insights - The article discusses the transformative impact of AI on the video production industry, particularly through the introduction of Seedance 2.0, which automates various aspects of filmmaking, including camera movement, editing, and sound design [3][5][10]. Group 1: AI in Video Production - Seedance 2.0 represents a significant advancement in video technology, automating camera operations and editing processes that previously required expensive equipment and skilled personnel [5][10]. - The AI can now understand three-dimensional space and maintain consistency in visual elements, such as perspective and lighting, which enhances the realism of video content [6][7]. - The traditional workflow in video production, which involves multiple roles like directors, cinematographers, and editors, is being compressed into a single model, significantly increasing efficiency [10][11][12]. Group 2: Broader Implications of AI - The article suggests that the changes in video production are part of a larger trend where AI is reshaping workflows across various industries, including software development and app usage [15][18]. - The concept of "intent interface" is introduced, where users can express their needs in natural language, and AI generates the required applications or services instantly, eliminating the need for traditional app interfaces [22][25]. - This shift could lead to the decline of traditional app ecosystems, as AI-generated solutions may replace the need for downloading and maintaining multiple applications [27][29]. Group 3: Organizational Changes - The reduction of traditional workflows may result in the dissolution of large organizational structures, as individuals equipped with AI could accomplish tasks that previously required teams [31][32]. - The emergence of "one-person companies" is anticipated, as AI enables individuals to operate independently, challenging the conventional business model that relies on collective effort to reduce transaction costs [32].