人民日报海外版整版关注大连核雕技艺:方寸之间雕出大千世界
Ren Min Ri Bao Hai Wai Ban·2026-02-11 02:08

Core Viewpoint - The article highlights the traditional Chinese art of nuclear carving, specifically focusing on the work of Han Zhiyao, a master craftsman in Dalian, Liaoning Province, who has dedicated over fifty years to reviving and innovating this ancient craft [11][12]. Group 1: Art and Technique - Dalian nuclear carving utilizes local peach pits as raw materials, incorporating techniques such as round carving, relief carving, and through carving, and was recognized as a national intangible cultural heritage in 2014 [11]. - The complexity of nuclear carving lies in the ability to "see the big in the small" and to "follow the natural form," as each peach pit has unique textures and characteristics that influence the carving process [11][12]. - Han Zhiyao has developed a unique style termed "Han-style ancient charm," drawing from his extensive experience in various carving techniques, including eight years as a machinist [11][12]. Group 2: Notable Works and Innovations - In 2000, Han Zhiyao spent over six months researching Ming Dynasty ship details to recreate the peach pit boat described in the classic "Nuclear Boat Record," which features intricate details such as nine characters and a 3mm tea pot with a functional lid [12][13]. - His subsequent works, including "Flower Boat" and "Sailing," expanded the character count to 21 and increased the number of windows from 8 to 24, showcasing a blend of traditional and innovative elements [13]. - The nuclear carving "Along the River During the Qingming Festival," which took two years to complete, features 168 characters and utilized over 2000 peach pits, reflecting the depth of Chinese civilization in a compact form [13]. Group 3: Cultural Impact and Education - Han Zhiyao's studio has trained 26 inheritors of nuclear carving techniques and actively engages in teaching at primary and secondary schools, promoting the appreciation of this art form [13]. - The art of nuclear carving serves not only as a craft but also as a cultural medium, encapsulating the essence of life and human experience through its intricate designs [13].