很严重了，大家勒紧裤腰带过苦日子吧.....

Core Viewpoint - The article emphasizes the emerging trend of monetizing audio drama copyrights as a lucrative side business opportunity, particularly in the context of the internet era, where low entry barriers and high potential returns are prevalent [6][7][21]. Group 1: Market Potential - The audio drama copyright monetization is projected to become one of the most profitable projects in the internet sector by 2025, with many ordinary people and office workers still unaware of its existence [7][21]. - The online audio user base in China reached 690 million by 2022, and it is expected to exceed one trillion yuan by 2027, marking it as the next major opportunity in the internet landscape [15][45]. - The market for audio drama copyrights is characterized by a low entry threshold and a significant gap, with many individuals already profiting from it [13][45]. Group 2: Revenue Model - The monetization model involves splitting the IP rights of a work into multiple shares, allowing customers to purchase and co-own the copyright, generating monthly dividends akin to rental income for up to 20 years [14][48]. - The article outlines seven revenue models associated with audio drama copyrights, including platform listening fees, music rights, merchandise sales, and advertising revenue [57]. Group 3: Success Stories - The article shares success stories of individuals who have profited significantly from investing in audio drama copyrights, highlighting cases where investments have led to substantial monthly incomes [19][40]. - It mentions that individuals who invested in popular IPs, such as "The King's Avatar," have seen returns that far exceed traditional employment income [10][30]. Group 4: Industry Support - The "Miyue" brand, which has been in the copyright industry for over 12 years, has established partnerships with numerous companies and has a vast library of over 6,000 quality novel copyrights [33][34]. - The government of Hangzhou has included "Miyue" in its subsidy program to promote the development of the audio-visual industry, indicating strong institutional support for the sector [36].