该不该骂陈佩斯？

Core Viewpoint - The article discusses the recent performance of the film "The Stage" by Chen Peisi, highlighting its box office success and the controversies surrounding its portrayal of gender roles, particularly the objectification of female characters and the treatment of male actors in the narrative [4][7][10]. Summary by Sections Box Office Performance - The film "The Stage" has seen a significant box office performance, with daily earnings exceeding 40 million in its first two days and a projected total of 487 million, surpassing initial investment estimates of 300 million [4][10]. Gender Representation and Controversy - The film has faced criticism for its outdated gender perspectives, particularly in scenes that objectify female characters and use derogatory language towards male actors. This has sparked discussions about the film's artistic value and its impact on contemporary audiences [7][10][13]. Audience Demographics - Data indicates that the primary audience for "The Stage" consists of viewers aged 40 and above, making up 51.8% of the audience, which contrasts with the younger demographics typically attracted to summer blockbusters [10][15]. Market Segmentation - The film industry is increasingly catering to specific audience segments, as seen with "The Stage" targeting older viewers who may be less sensitive to contemporary gender issues. This reflects a broader trend in the film market towards niche targeting [15][14]. Creative Intent and Cultural Context - Chen Peisi's work is described as being deeply rooted in traditional Chinese theater, reflecting his personal artistic journey rather than conforming to modern commercial expectations. The film's narrative is seen as a commentary on the erosion of artistic integrity by external pressures [15][19]. Complexity of Artistic Expression - The article emphasizes the duality of Chen Peisi's work, acknowledging both its shortcomings in gender representation and its sincere artistic expression. It advocates for a nuanced discussion that recognizes the complexities of creative intent and cultural context [20][21].