Core Themes - The speaker reflects on the symbolism and significance of the "pagne" (a type of cloth wrap) in their life and culture [5][6][7] - The "pagne" represents authenticity, memory, and the strength of women [7][15] - The tradition of weaving "pagnes" is a valuable cultural practice, with the cloth serving as a form of investment and a symbol of important life events [8][9][10][11][12] - The speaker connects the "pagne" to broader themes of sisterhood, resilience, and the importance of cultural heritage [17][18] Cultural Significance - The "pagne" is used in various ceremonies, including births, marriages, and funerals, symbolizing different stages of life and providing comfort [10][11][12] - Different symbols are woven into the "pagne," representing concepts like the sea, life's challenges, and the support of close friends [13][14] - The act of tying the "pagne" is an invitation for women to unite and overcome challenges together [14] - The speaker admires similar traditional cloths from other cultures, emphasizing the value of openness and respect for diverse traditions [16][17] Personal Reflection - The speaker's reflections on the "pagne" are rooted in childhood memories and family traditions [5][6][8] - The speaker encourages the audience to appreciate their own traditional cloths and the wisdom they hold [19][20] - The speaker emphasizes the importance of reconnecting with one's roots and using authenticity to foster creativity [18]

Core Argument - The presentation explores the relationship between tradition and modernity, suggesting they are not opposing forces but rather cyclical and interconnected elements [2][3][4] - It emphasizes that every modern concept emerges from a preceding tradition, and every tradition can be seen as the modern iteration of earlier traditions [4] Allegory in Folk Music - Folk music utilizes allegory in two primary ways: through the allegorical instrumentality of musical instruments and through allegorical narratives within the music itself [6] - Instruments like the *saz* (a stringed instrument) can convey meaning through their construction, such as the number of strings or holes, which may hold cultural or religious significance [8][9] - In folk songs, the *saz* is often personified and used as a vehicle for expressing ideas, with the musician claiming, "I am not speaking, my *saz* is speaking" [9][10] Aşık Veysel as a Symbol - Aşık Veysel, a prominent figure in Turkish folk music, embodies the fusion of tradition and modernity, symbolized by his traditional *saz* paired with a modern fedora hat [11][12][13] - His famous song "Uzun İnce Bir Yoldayım" ("I am on a long, narrow road") uses allegorical language to reflect on life's journey [14][15] Interpreting Allegorical Expressions - Folk music contains allegorical expressions using elements like celestial bodies, landscapes, flora, fauna, and everyday objects, but their interpretation requires careful consideration [17][18] - Symbols such as doors, windows, roads, chimneys, numbers, and body parts may have hidden, esoteric meanings, particularly in *deyişler*, *tevhitler*, and *devriyeler* (types of Sufi devotional songs) [19] The Case of Aşık Sıtkı Baba's "Devriye" - Aşık Sıtkı Baba's *devriye* is rich in meaning and requires extensive knowledge to decipher its esoteric and Sufi content [20] - A misinterpretation of a line in his *devriye*, where "14 years" was mistakenly rendered as "14,000% years," led to extensive analysis by theologians, anthropologists, and sociologists [21][22][23] Re-evaluating Tradition - Re-examining tradition involves not only incorporating new sounds and styles but also correcting errors, distinguishing between genuine folklore and fabricated traditions, and recognizing invented traditions [25] - Tradition serves as a blueprint for the future, and the future is a reflection of tradition [25]

[Music] Good evening everyone. Yeah. So I had to start it off with this a small song from 1956 sung by Mohammad Rafi where he tells about the uh the city which it goes with the moreover of huddles and hustles but still everyone really loves their city.If you move on to any city, you may see some kind of I mean any kind of uh the challenges or the hurdles whatever but but still we still love our city with more passionate but and uh present in our way. So my name is Vasi. So I handle a page.I'm the founder of ...

โอ [Musika] [Musika] ubuot ng makulay at mayaman Mga tradisyon at tugaliang patuloy na nalilinang at napapayaman. Bawat trion ay may sariling pagkakakilanlan. wikat gawin na natatangi hindi tatanggi na pinoy ang pinagmulaan ng sining na ipapamalas ang mukha ng lahing kayong mangihi [Musika] ay natatangi ating lahi w hiwagway ang tradisyo Ito ang iyong henerasyon mula noon hanggang ngayon at sa habang panahon ipagdiwang at umalas mo.Everybody sing with me come on. Oh oh oh oh eh oh oh oh [Musika] oh oh oh oh ...

Heat. Heat. [Applause] Heat. [Applause] Heat.Namaste Plano. Welcome everyone. You just heard amazing sound and heartp pumping sound of doul tasha or drums and snares that you can see.This is the true spirit of our discipline, tradition and teamwork. And I guess what a way to end this session act one on a very high energy and trust me at the end we're going to relive you with a really high energy. Hello Beno namaste.I am Nikil and his harish. We are two of the co-founders of Shivam do tasa. Um this uh we uh ...

[Music] And as we close out this holiday weekend, there is good news tonight about a small town's big moment, a celebration of community and tradition. In Bristol, Rhode Island, is the new 1785. This is Americana right here. This is my country.That's because the 4th of July is this town's time to shine. Happy 4th. Happy birthday, America.For 240 years, Bristol has kept the party going every year, making it the oldest continuous July 4th celebration in the country. [Music] This is our Christmas. We start pre ...