Core Insights - QYOU Media Inc. has announced significant promotions and new hires within its subsidiary QYOU USA, reflecting the company's record growth in the second half of 2025 driven by new clients and industry recognition [1][2][5] Promotions and New Hires - Morgan Barclay has been promoted to SVP of Partnerships, expanding his role to lead the sales organization [2] - Jessica Hunt and Danny Lee have joined as Directors of Partnerships, bringing experience from Influential and Super League [3] - Chris Smith has been elevated to VP & General Manager of Studios, overseeing the studio team and storytelling initiatives [4] - Kerri Ramgren has been promoted to VP of Operations, enhancing agency operations to support growth [4] Client Growth and Industry Recognition - QYOU USA has signed new clients including Rare Beauty, Crooked Media, and National Geographic, while strengthening partnerships with Hulu, Activision, Paramount, Kraft Heinz, and Warner Brothers [5] - The company's creator-led campaigns have received multiple industry awards, including Gold at the Digiday Streaming & Video Awards for Paramount's Smile 2 [5] Future Outlook - Glenn Ginsburg will participate in Advertising Week New York, discussing QYOU's creator-led social campaigns [6] - CEO Curt Marvis emphasized the company's strong position for future growth in the creator economy, particularly with the upcoming public listing of Chatterbox Technologies in India [7]

talent agencies extracting 40-60% of https://t.co/eQ9skbAnnv creator earnings with zero reputation risk. creators are the product. trade the pimps not the performers. ...

Financial Data and Key Metrics Changes - The company is focusing on driving revenue, improving profitability, and creating a winning culture as key priorities [12][13] - The company aims to transform its operations in 2025 and expand in 2026, with a focus on increasing demand and pricing [19][78] Business Line Data and Key Metrics Changes - The restructuring of the sales organization includes two Chief Revenue Officers (CROs) focusing on enterprise and commercial sides of the business [14][15] - The company is centralizing key functions to enhance focus on demand and supply sides [17] Market Data and Key Metrics Changes - The out-of-home media share of media spend has decreased from 6% to 2.5% over seven years, indicating a significant market challenge [27] - The company is targeting significant urban markets such as New York, Miami, Chicago, and San Francisco for its premium brand positioning [65] Company Strategy and Development Direction - The company is focusing on experiential brand experiences, retail media, and the creator economy as key areas for growth [20][21][59] - The strategy includes enhancing digital capabilities and leveraging AI to improve brand trust and engagement [32][21] Management's Comments on Operating Environment and Future Outlook - Management believes that the biggest opportunity lies in reestablishing the relevance of out-of-home media in the marketing mix [30] - The company is committed to improving profitability by exiting unprofitable leases and focusing on high-quality inventory [88][91] Other Important Information - The company is not currently pursuing large M&A but remains open to tuck-in opportunities [80] - The focus on the mid-market and SMB segments remains strong, contributing 60% of revenue [34] Q&A Session Summary Question: What will be the focus if the company returns in a year with good news? - The focus will be on demand levels, organic growth, and the quality of inventory, along with fostering a winning culture [121][125] Question: How does transit fit into the company's strategy? - Transit is viewed as an opportunity for brand experiences, and the company is changing its approach to sell transit advertising more effectively [104][115] Question: What are the challenges faced by OUTFRONT Media? - The main challenge is the positioning of outdoor media in the minds of decision-makers, with opportunities to sell more creatively to the right customers [116]

3% of the pump fun supply is going to live stream.That’s 90 million dollars more or less at current value.If they take 1% of that for viewership rewards.That’s 30 million dollars.It would make A LOT of sense to incentivize the viewers in some capacity to grow that audience&& inherently that would grow the CCM space (and their market caps)Easy (@EasyEatsBodega):Creator Capital Markets only continue to grow if viewers grow.Imo pump fun should do anything and everything they can to increase viewers.Incentivize ...

Creator Capital Markets only continue to grow if viewers grow.Imo pump fun should do anything and everything they can to increase viewers.Incentivize the viewer layer and watch the creator economy scale exponentially.Give the people a reason to watch, and they will continue to do just that. ...

The creator economy has long run on a model where views drive ad revenue.Chasing views forces creators onto a treadmill… churning out endless content, dumbing it down, and chasing algorithms.And they still don’t own their audience.The way forward is to monetise depth, not just reach. Building deeper connections with your community should be a real alternative — @pumpdotfun’s latest product improvements make this possible.Check it out and leave a review hereremus (rtrd/acc) (@remusofmars):A low-viewer pump f ...

RT time.fun (@timedotfun)What's to come?Coming imminently, we will onboard our first major non-crypto creator partner.This will signal our move towards onboarding the top creators, experts, athletes, founders, influencers, and so many more beyond crypto.Mobile app V2A brand new app redesign. ...

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Plus I think brands are missing out if they don't hire more talented smaller/medium creators.1) Growing together can be beneficial for both the brand and the creator.2) You get someone who is much more organically aligned.3) It's commercially more interesting aka cheaper.We will probably see more of this soon as the relevant, bigger creators slowly disappear from the marketwale.moca 🐳 (@waleswoosh):In recent weeks, many prominent CT creators have taken on leading positions in the industry.Very cool to see.B ...

RT Kawz (@0xKawz)The creator economy is ~$250B right nowSophie Rain made $83M on OFCreators can and will come onchain. We are very early to creator markets. ...