Core Perspective - The article discusses the concept of "不断不舍不离" (continuously not letting go), which serves as a tribute to the popular minimalist philosophy of "断舍离" (decluttering) and emphasizes the emotional connections people have with their belongings [5][6][7]. Group 1: Conceptual Framework - "不断" (continuously) refers to the exploration of the different states of everyday objects over time, seeking a connection between the past, present, and future [6]. - "不舍" (not letting go) examines the emotional and functional relationships between people and their belongings, advocating for sustainable practices through various methods of repair [6]. - "不离" (not parting) involves documenting and preserving everyday items using both traditional craftsmanship and modern technology [6]. Group 2: Personal Reflections - The author reflects on the joy and emotional warmth derived from personal belongings, highlighting the importance of these items as silent witnesses to significant life events [5][9]. - The narrative includes anecdotes about cherished items, such as a hand-knitted sweater from the author's mother, symbolizing love and care [8][9]. - The significance of everyday objects, like the "鸡公碗" (chicken bowl), is explored, illustrating their cultural and historical value within the context of Hong Kong's culinary heritage [10][12].

在欧阳应霁看来，"断舍离"创造了进一步认识生活的机会，只是有人把它简单地理解为丢弃，而轻易地淘汰物 品，反而会再次掉入了消费主义的陷阱。 几年前，香港创作人欧阳应霁以"身外物"为主题，整理出了200多件物品，收集物品的档案信息，写下自己的回忆 和心情。当时他想过，写完之后就真的可以把这些东西放手了。疫情期间，大家总会去想生活中还有什么剩下的 事情未做。去年，他决定把这些物件的故事写出来，出版了新书《不断不舍不离》。 书中的66件物品，分为"身上衣""食为天""玩痛快""必有用"四章，前三章顾名思义，分别写的是服饰、厨房用具 和玩具，"必有用"则是一些"有意义"的个人收藏品。从物品照片和短文中，看得到欧阳应霁在生活方式、美食、 创意设计、绘本创作等领域的多年耕耘。 这是时隔12年后欧阳应霁再次出书，书中最后一句话点明了自己的意图：整理物品其实是回温物品见证过的情 感。"我对物件有话说，但我谈的不是物件本身，是要通过物件谈人一生经历的不同阶段，和社会的大环境。我希 望大家以物件为起点开始思考，但我首先是满足我自己。"他说。 在上海久事美术馆，欧阳应霁与香港知名广告人陈幼坚近期举办了双个展"浪奔浪流"。陈幼坚生于1 ...