Core Viewpoint - The second "Energy Resonance" Contemporary Art Exhibition in Taizhou, Zhejiang, focuses on the theme of "harmonious coexistence between humans and nature," showcasing contemporary art's development under the perspective of ecological civilization, and is open to the public for free until December 10 [1] Group 1 - The exhibition features 17 active creators from different generations, including renowned domestic artists such as Liang Shaoqi, Shao Yinong, Guo Gong, Shen Lieyi, and Sun Lei, as well as international artist Peter Woytuk, alongside emerging creators like Bian Yunxiang, Chen Mingqiang, and Cui Yu, presenting diverse expressions [3] - Artists explore various dimensions such as breakthroughs in artistic language, integration of technical media, and expressions of ecological concern, creating a vibrant ecological art scene [3] - Liang Shaoqi's work centers on the life cycle of silkworms, reflecting on the philosophy of life, while Shao Yinong's oil paintings "Autumn Light" and "Glow" capture the beauty of natural light and shadow, becoming highlights of the exhibition [3] Group 2 - The exhibited works embody ecological awareness, addressing the resilience and fragility of natural systems while capturing contemporary existence in a technologically accelerated era with multi-species coexistence [6] - Artists break traditional media boundaries, combining technological art methods to create resonances across species and media, showcasing diverse forms of ecological art and the innovation of traditional Chinese ecological thinking in the new era [6] - The curatorial team employs an innovative "wall expansion" method, drawing inspiration from the geological history of Taizhou, transforming the four-story exhibition space into four ecological spaces, allowing a unique dialogue between the artworks and the natural landscape of Mount Jiao [6]

台湾画家杨恩生：用画笔"巡护"自然三十余载 中新网杭州9月3日电 题：台湾画家杨恩生：用画笔"巡护"自然三十余载 作者 曹丹 浙江杭州植物园博物绘画培训课后，学员们仍围拢在老师身边请教。被众人围绕的，是中国台湾水彩画 家、生态艺术倡导者杨恩生。面对学员的热情，他笑着说："年轻人对水彩画有问题，未来就没有问 题。" 1956年，杨恩生出生于中国台湾花莲，祖籍广东，是台湾较早从事生态艺术创作的水彩画家。早年，他 凭借精湛的写实静物水彩技法崭露头角，尤其擅长画葡萄，笔下的果实晶莹剔透、充满生命力，因此被 誉为"葡萄王"。 1987年，静物创作已达巅峰的杨恩生，在反复的自我叩问中，决定将创作目光从静物转向更具生命力的 野生鸟类，开启了生态艺术创作之路。 "生态绘画远非描绘对象从静物到动物的简单转变，而是一种创作方式的本质转变。"杨恩生回忆起转型 初期的经历时说，当时网络尚未普及，缺乏图像资料，自己便背着相机去野外拍摄素材，向鸟类学者请 教，并系统学习生态学知识，逐渐理解动物与生态系统的整体关系。 "古生物复原图不是科幻画，每一笔都要有科学依据。"杨恩生说，"如果连现代鸟类的骨骼结构、羽毛 纹理都不了解，根本无法准确还 ...