Core Viewpoint - The exhibition "The Wonders of Patterns" at the Louvre focuses on Islamic art from India, Iran, and the Ottoman Empire, offering a unique perspective that may differ from Western aesthetic expectations [1] Group 1: Exhibition Overview - The exhibition begins with the collection of King Louis XIV, showcasing art as a symbol of royal authority, featuring treasures from the Mughal and Ottoman empires [2] - It is divided into three main sections: Indian, Iranian, and Ottoman art, with a strong emphasis on geometric patterns and floral designs throughout [2][3] Group 2: Indian Art Section - The Indian section centers on the Mughal Empire, highlighting its innovative aesthetics that blend local, Persian, and European traditions [3] - Notable pieces include a dagger inlaid with rubies and emeralds, symbolizing the luxurious craftsmanship of the Mughal Empire [3] - A mother-of-pearl tray featuring floral designs exemplifies the intricate artistry and thematic connections to both Eastern and Western art [3] Group 3: Iranian Art Section - The Iranian section features a dreamy atmosphere with a focus on the influence of Chinese trade on Safavid ceramics, showcasing their unique adaptations of blue-and-white porcelain [4] - It explores the visual expressions of Shia religious ceremonies and includes significant historical portraits, such as that of Fath Ali Shah Qajar [4][5] Group 4: Ottoman Art Section - The Ottoman section emphasizes Arabic calligraphy and ceramic innovations, with luxurious art pieces that reflect the cultural exchanges from Damascus to Cairo [5] - It includes religious art treasures like a 16th-century Quran manuscript, showcasing the artistic contributions of the Ottoman Empire [5]