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How do we design contexts for better conversations | Guadalupe Nogués | TEDxRiodelaPlata GIS
TEDx Talks· 2026-03-31 16:45
[music] Like many families in Argentina, mine has immigrant roots. The country was shaped by waves of people arriving from all over the world, chasing opportunity or escaping war and misery. And once here, we began to integrate.We altered things. and we adopted others. This is emate, an infusion that comes from the Guani people and is very popular with us.It looks like just a drink, but it's actually a communication device designed to foster conversations. You'll see. When my grandparents came to Argentina, ...
How personal belief can impact performance | Lily McNamara | TEDxTupelo Women
TEDx Talks· 2026-03-05 16:20
There was once a horseshoe that hung above the entrance in a home. One night, the guest expressed surprise. Professor, do you believe that's a lucky horseshoe.He replied, "Of course not. I'm a scientist after all." Then he paused. But I've heard Hushu did their fortune even to those who don't believe in their power. The professor was atomic physicist Neo's Gore.He was the epitome of rationale, known for his work along Oenheimimer and winner of the Nobel Prize. Today, we would call that horseshoe an example ...
From rituals to spectacles: the decaying evolution of Nuo Opera | Qishun Liao | TEDxGCGS Youth
TEDx Talks· 2025-09-30 15:12
Cultural Significance & Historical Context - No opera has played an indispensable role in building Chinese identity for 3,000 years [1] - No opera is considered a medium of hope for people in China, specifically in Jiangxi, China [2][3] - Jiangxi's No opera is a provincial intangible cultural heritage, featuring dramatic performances and rituals [4] - Masks are central to No opera, representing different identities, gods, and deities [5] Rituals & Performances - Performers wear masks to become gods/deities, wishing for the disappearance of illnesses, prosperity, and crop fertility [6] - Rituals involve inviting village deities in processions, placing them for offerings, and chanting invocations [6] - Jung Village's No opera once had a repertoire of 108 distinct masks and characters [7] Challenges & Preservation - Trans-urbanization has led to a decline in No opera in Jung Village, with only seven plays and 34 masks remaining [7][8] - The troop consists of 40 elderly members facing low earnings and oral transmission challenges, risking cultural loss [8] - Performers are injecting No opera elements into urban lifestyles, such as carving figures on utensils [10] - Performers are leveraging internet technologies to record rituals and injecting elements into modern dance forms to appeal to younger generations [11] Dilemma & Future - No opera faces a trade-off between changing to appeal to a wider audience and preserving its original meaning [12][13] - The essence of No opera may shift from preserving its original meaning to simply continuing to dance and enjoy it [14]