Synervoz’s Switchboard platform boosts voice and audio development cycles by 10xCollaboration targets 70+ B2B opportunities across industries like automotive and retail LOS ANGELES, July 03, 2025 (GLOBE NEWSWIRE) -- LiveOne (Nasdaq: LVO), an award-winning, creator-first music, entertainment, and technology platform, today announced a strategic partnership with Synervoz Communications, Inc. to co-create new products and experiences that power the next wave of voice in native devices and operating systems. Li ...

LOS ANGELES, June 26, 2025 (GLOBE NEWSWIRE) -- LiveOne (Nasdaq: LVO), an award-winning, creator-first, music, entertainment, and technology platform, announced today that it will be hosting a conference call on Thursday July 3, 2025, to discuss results for the fourth fiscal quarter ("Q4 Fiscal 2025”) and fiscal year ended March 31, 2025 ("Fiscal 2025") and provide a business update. To access the call, please use the following information: Q4 Fiscal 2025 and Fiscal 2025 Earnings Conference CallDate:Thursday ...

以下文章来源于价值星球Planet ，作者方歌 价值星球Planet . 透视内容本质，解锁商业价值 本文来自微信公众号： 价值星球Planet ，作者：方歌，编辑：李小天，题图来自：AI生成 《歌手2024》的突围，某种程度上是大众对专业度不够的歌手以及所谓的行业门槛的反扑与抵抗 ——直播和现场才意味着"专业歌手"的含金量。因此它成为了大众情绪和行动的粘合剂，呈现出了罕 见的全民性。 但这样的成功难以复刻。 一个残酷的事实是，在无意识地将大众以音乐审美为参考因素分割甚至对立之后， 音综又在被审美 和流量驯化。 音综的"自我"，正在消亡 音综曾经是国产综艺的里程碑。 单依纯"疯"了。 《歌手2025》最新一期，单依纯演唱新版《李白》拿下第二名。一句魔性的"如何呢又能怎"和破音 式嘶吼，让这首《李白》被调侃为新晋高考禁曲。 在所谓的全民狂欢中，数据却悄悄地揭露了残酷真实。 据酷云数据，《奔跑吧》第九季以峰值0.87，平均值0.74稳居卫视综艺收视榜首位，胜过《歌手 2025》。 这个六月，四档音综同时竞技，却似乎没有赢家。 图源：微博@传媒挑战者 音综的出现往往有着时代因素。之前是青年文化风潮的觉醒，是流媒、盗 ...

Core Viewpoint - LiveOne is set to announce preliminary financial results for FY25 on June 18, 2025, highlighting its focus on creator-first music and entertainment experiences [1] Company Overview - LiveOne, headquartered in Los Angeles, is a music, entertainment, and technology platform that offers premium experiences through memberships and events [3] - The company operates several subsidiaries, including Slacker, PodcastOne, and LiveXLive, and is accessible on various platforms such as iOS, Android, and Roku [3] Financial Performance - LiveOne reaffirms audio revenue of over $108 million and adjusted EBITDA of over $16 million for FY25 [5] - The company has improved efficiency by leveraging AI technology, launching over 25 new radio stations, and reducing Slacker's staff by one-third, achieving an additional $1.3 million in cost savings [5] Strategic Focus - The integration of AI is aimed at scaling and personalizing programming while maintaining human-centered curation and storytelling [2]

Group 1 - LiveOne's subsidiary Splitmind has contributed to significant music production, including SZA's "SOS" album, which has sold over 6 million units and achieved over 100 million streams on Billboard-topping singles, generating substantial recurring revenues [1] - The production efforts of Splitmind have also led to a combined total of 15 nominations for SZA and GloRilla at the BET and AMA awards [1] - LiveOne is a creator-first platform focused on delivering premium music and entertainment experiences globally through various subsidiaries and services [2] Group 2 - LiveOne operates multiple subsidiaries, including Slacker, PodcastOne, and Splitmind, and is accessible on various platforms such as iOS, Android, Roku, and Spotify [2] - The company emphasizes its commitment to enhancing user experiences through memberships and live and virtual events [2]