中新网2月28日电 据中央音乐学院消息，当地时间2月24日晚，"金钟之星"中国新年音乐会在美国纽约 卡内基音乐厅奏响。 中国文联副主席高世名，中国音协驻会副主席、秘书长韩新安，中国驻纽约总领事陈立，中国驻美国大 使馆公参陈春梅等嘉宾出席音乐会。 作为2026年"今日中国"艺术周的首场演出，此次音乐会由中国文联主办，中国音协与中央音乐学院联合 承办，美国保卢斯胡克音乐基金会协办，并得到了中国驻纽约总领馆的指导与支持。(完) 据介绍，当晚，音乐会在民族管弦乐《春节序曲》中拉开帷幕，中国艺术家们以昂扬奔放的旋律营造出 喜庆热烈的节日氛围。《苍歌引》《百鸟朝凤》《墨梅》《永远的山丹丹》等曲目精彩纷呈，融汇传统 意蕴与当代表达。返场曲目《鸳鸯茶》《赛马》《花好月圆》节奏明快、气氛热烈，将现场气氛推向高 潮。 此次音乐会由中国音协驻会副主席、秘书长韩新安担任团长，中央音乐学院院长、著名二胡演奏家于红 梅教授担任艺术总监。指挥家刘沙执棒中央音乐学院民族管弦乐团，携手笙演奏家王磊、古筝演奏家宋 心馨、唢呐演奏家刘雯雯等优秀音乐家，演绎了多部融汇传统精髓与当代审美的民族器乐佳作。 ...

在返场环节，艺术家呈现一曲《花好月圆》，其精湛表演和敬业精神博得全场观众热烈掌声和起立 致敬。联合国妇女协会主席安妮特·海雷佩蒂安说，乐曲传递的中国文化元素令人赞叹，中国艺术家们 的表演水准堪称世界一流，专业精神令人感动。"我要向他们道一声'谢谢'！" 在纽约居住50多年的华人观众唐先生说，《花好月圆》和《百鸟朝凤》这些经典民乐让他倍感亲 切，希望有更多机会欣赏中华民族音乐瑰宝。 音乐会上既有广为流传的经典名曲，也有手法新颖的创新之作，艺术团展现出中国民乐的多元风 貌。开场《春节序曲》让整个音乐厅洋溢在喜庆气氛中，唢呐与管弦乐队合奏的《百鸟朝凤》清脆婉 转，二胡协奏曲《墨梅》意境悠远，古筝曲目《苍歌引》扣人心弦。 新华社纽约2月26日电（记者 施春）锣鼓铿锵，丝竹悠扬。在美国纽约卡内基音乐厅里，中国"金 钟之星"艺术团日前为当地观众献上一场独具魅力的中国民族音乐会，也为暴雪后的纽约传递新春暖 意。 "我们希望通过这场音乐会，展现中国音乐的风采，给观众送上新春问候，"中央音乐学院院长于红 梅说，也希望通过音乐让各国人民有更多交融、理解和思想碰撞。 ...

Core Viewpoint - The 2026 New Year Concerts held at the National Centre for the Performing Arts and the Great Hall of the People in Beijing showcased high-profile performances, celebrating the New Year with a blend of classical and contemporary music [1][3][5]. Group 1: National Centre for the Performing Arts - The 2026 New Year Concert at the National Centre for the Performing Arts was conducted by music director Lü Jia, featuring top artists such as Lü Siqing, Qin Liwei, and Yu Hongmei [3]. - The concert opened with the classic symphonic overture "The Ode to the Red Flag" and included works like Beethoven's "Triple Concerto" and Yu Hongmei's original piece "Ink Plum" [3]. - A special tribute to the 90th anniversary of the Long March was included, featuring a segment from "The Long March Song" [3]. - The "New Year Concert" followed at 23:00, conducted by Zhang Yi, featuring works by Wagner, Gershwin, and contemporary Chinese pieces, culminating in a countdown to the New Year [3]. Group 2: Great Hall of the People - The 30th Beijing New Year Concert at the Great Hall of the People featured conductor Yang Yang leading the Beijing Symphony Orchestra, with a large ensemble of 120 musicians [5]. - The concert also began with "The Ode to the Red Flag," followed by Western classics like "The Blue Danube" and traditional pieces such as "Fishing Boat Song at Dusk" [5]. - Notable performances included German pianist Julian Priefling playing excerpts from the "Yellow River" piano concerto and trumpeter Andrei Jufreidi performing "My Motherland," which resonated with the audience [5]. - The concert concluded with a grand chorus of "Singing the Motherland," and the enthusiastic atmosphere was highlighted by three encores [5]. - The event attracted a significant number of young attendees, establishing itself as a unique cultural highlight for the New Year in the capital [5].

Core Viewpoint - The annual New Year concert at the National Centre for the Performing Arts showcases a blend of classical and contemporary music, celebrating Chinese culture and the upcoming 90th anniversary of the Long March in 2026 [1][3]. Group 1: Concert Highlights - The concert featured a variety of renowned artists, including violinist Lv Siqing, cellist Qin Liwei, and pianist Wei Zijian, performing Beethoven's "Triple Concerto" with exceptional skill and vibrant energy [3]. - The performance included a segment from the red classic "Long March Song," emphasizing the historical significance of the Red Army's achievements, with the orchestra and choir delivering a powerful rendition [3]. - The concert concluded with the new work "Harvest China," which celebrates agricultural civilization and expresses wishes for a prosperous new year, followed by a collective performance of "My Motherland and I" by all participating artists [3]. Group 2: Transition to New Year - At 11 PM, conductor Zhang Yi led the Central Ballet Orchestra in a series of world classics, including Wagner's "Lohengrin," Gershwin's "An American in Paris," and Bizet's "Carmen Suite," marking the transition into the new year [5]. - Contemporary Chinese works were also featured, such as Jin Fuzai's "Clipper Saves the Deer" and Yu Jingjun's "Suzhou Wind," highlighting the integration of modern compositions into the concert [5].