（来源：上观新闻） 近日，上海大学音乐学院长笛教师、苏州交响乐团客席首席、上海歌剧院交响乐团客席首席、青年长笛 演奏家姚菁，在上海大剧院中剧场成功举办了长笛独奏音乐会。整场音乐会的五首作品风格各异，听下 来，如同五盏色泽各异的水晶琉璃杯相碰，多重色彩和意识流一般华丽的无数组音符，如彩色的缎带飘 逸、夜空中的繁星闪耀，观众们无不惊叹于演奏家技艺之精湛、台风之稳健。除此之外，令笔者最为印 象深刻的是姚菁的演奏气质。她的演绎令笔者想起王尔德在戏剧《莎乐美》中提到的"紫色葡萄酒"，几 年来，从未真正见过紫色的葡萄酒，但在这场长笛独奏音乐会中，似乎"听"到了。这种清冷、低调、复 杂而迷人的紫色液体，在水晶琉璃杯中辗转回荡，反射着清冷的月光。所有乐曲，无论是忧伤的，还是 热情的，似乎都蒙上了一层冷光滤镜。这是极富姚菁个人特色的一个记忆点。 音乐会选取了五首作品，分别是让-玛丽·勒克莱尔的《E小调奏鸣曲》、菲利普·高贝尔的《叙事曲》、 保罗·塔法奈尔改编自歌剧《魔弹射手》的幻想曲，以及皮埃尔-奥科塔夫·费胡的《三首为长笛而作的乐 曲》和《奏鸣曲》。除《三首为长笛而作的乐曲》为独奏外，其他乐曲都有钢琴伴奏，姚菁与钢伴宋思 衡 ...

Core Insights - The article highlights the artistic journey of Chinese painter Jia Aili, who emerged from the industrial ruins of Dandong, Liaoning, and achieved international acclaim through his unique visual language that reflects themes of desolation and anxiety [1][3]. Artistic Background - Jia Aili's artistic roots are deeply embedded in the industrial landscape of Northeast China, shaped by his childhood experiences witnessing his parents' struggles during economic transitions [2]. - His education at Shenyang Lu Xun Academy of Fine Arts provided him with a solid foundation in painting, while his experiences in Beijing exposed him to the struggles of marginalized social groups [2]. Artistic Themes and Techniques - Jia's works often feature motifs of gas masks, symbolizing both protection and isolation, reflecting individual defensive postures amid societal upheaval [5]. - His later works exhibit an epic shift, exploring transcendental visual experiences that transcend narrative storytelling, aiming to capture the essence of spiritual order through color and form [6]. Market Performance - Jia Aili's market trajectory is notable, with his work "Fengjing No. 1" selling for 9.8 million HKD in 2014, making him the first 70s artist to break the 10 million mark [7]. - His painting "Blue Mountain" sold for 21.85 million CNY in 2020, and "Unnamed Day 2" set a record at 26.45 million CNY in 2021, indicating a significant increase in demand and value for his works [7]. - His works have been included in major international collections, reflecting a balanced interest from both Western and Asian collectors, which underscores the global circulation of his artistic language [7]. Recent Developments - In recent years, Jia's exhibitions have showcased grander spiritual themes, with large-scale works that create a dialogue between materiality and abstraction [8]. - His exploration of traditional ink art and contemporary existentialism in the "Desperate Series" demonstrates his ability to bridge Eastern and Western aesthetic divides [9]. - As of 2023, Jia continues to innovate in his studio in Beijing, reinforcing his role as a significant figure in contemporary art, connecting individual trauma with collective human experiences [9][10].