Core Viewpoint - The exhibition "Palm Qian Kun - The Era Memory in Reading" at the National Version Library's Hangzhou branch showcases the cultural significance of Chinese comic books, also known as "lianhuanhua," which have been a cherished part of childhood for generations, bridging cultural connections between China and the world [2][3]. Group 1: Historical Significance - Lianhuanhua became widely popular in China after the founding of the People's Republic, with notable works like Liu Jiu'er's colored comic "Wu Song Fights the Tiger" winning international awards, marking a significant achievement for Chinese comic artists [3]. - The first foreign award for a Chinese comic artist was won by Liu Jiu'er, who skillfully captured dynamic character movements and emotions in his works [3]. Group 2: Cultural Exchange - The exhibition highlights the international recognition of Chinese lianhuanhua, with artists like He Youzhi showcasing their work in France, which led to a surge of interest in Chinese comics among Western audiences [3][4]. - The reissue of "World Literary Classics Lianhuanhua" by Zhejiang People's Fine Arts Publishing House in 2013 reflects the enduring appeal of these works, featuring adaptations of classics by authors like Shakespeare and Hugo [4][5]. Group 3: Modern Developments - Recent years have seen a revival of lianhuanhua through digital reproduction and international translation, allowing these works to participate in global cultural dialogues [6]. - The release of French versions of Chinese classics, such as "Dream of the Red Chamber," has further solidified the international presence of Chinese lianhuanhua, with positive reviews from notable French publications [5][6].

杨稚梓：不得不说，安徒生是一个很善于营销自我的作家。如您所说，安徒生非常喜欢写自传。他在这些自传中 一遍遍讲述自己从底层少年成长为文学大师的励志人生，而且省略掉生活中那些幽暗阴郁的秘密，把自己符号 化。另一方面，安徒生的虚构性创作也具有自传性色彩，其中一部分使用的是加密式自传性写法，目的是把自己 无法直接透露的真实信息传达给"被选定的"读者——指的是那些细心的读者，他们可以通过作者留下的一些密钥 型线索找到更深的意义层面；另一部分则是安徒生塑造的"舞台自我"，比如我们熟悉的丑小鸭、坚定的锡兵等， 都是虽然出身有所欠缺，但要么天生具有才能，要么意志坚定，未曾因缺陷而自我放弃，非常符合市民价值观， 问世以来都成了非常深入人心的文学形象。其中，《丑小鸭》的结尾是："当我还是一只丑小鸭的时候，我做梦也 不曾想到过会有这样的幸福！"这对应的正是安徒生最著名的自传《我的童话人生》的开头："我的人生是一个美 丽的童话。"可见，安徒生希望读者把他的人生和《丑小鸭》这则童话联系在一起，和他笔下这些著名的童话形象 联系在一起，让作者和作品一起构成完整的文化符号，而这个符号背后的意义是才能更加坚定，非常符合市民群 体心目中励志人生 ...