Core Viewpoint - Pina Bausch's masterpiece "The Rite of Spring" will be showcased at the Shanghai International Arts Festival, marking the second consecutive year that one of her significant works is performed in Shanghai, highlighting her enduring influence even 16 years after her passing [1] Group 1: Performance Details - "The Rite of Spring" will be presented at the Shanghai International Arts Festival from late October to early November [1] - This performance follows last year's successful presentation of "The Rite of Spring (African Version)" [1] Group 2: Literature and Research - Two books about Pina Bausch were recently read: "Pina Bausch: Creator of Dance Theatre" by Lloyd Kleinman and "Dancing Against Fear" by Jochen Schmidt [3] - Kleinman's book is the first comprehensive study of Bausch in the English-speaking world, exploring her life, thoughts, and creative methods, particularly focusing on "The Rite of Spring" [3] - Schmidt's biography, the first in the Chinese-speaking world, offers a more emotional perspective on Bausch's life and works [3] Group 3: Early Works and Influence - "Iphigenia in Tauris," an early representative work of Bausch, premiered in 1974, alongside "The Rite of Spring" and "The Rite of Spring," both of which premiered in 1978, showcasing their lasting impact [3][4] - Bausch's early work "Iphigenia in Tauris" is noted for its grand scale and complexity, characteristics of her early productions [6] - The initial reception of Bausch's first work "Fritz" was negative, but her subsequent work "Iphigenia in Tauris" received critical acclaim, marking a turning point in her career [7] Group 4: Artistic Development - Bausch's early works, including "Iphigenia in Tauris," reflect her exploration of Greek tragedy and the human condition, showcasing a blend of dance and theater [8][9] - The minimalist stage design and expressive movements in her early works foreshadowed her later developments in dance theater [9][10] - The evolution from her early works to later masterpieces illustrates Bausch's journey in redefining dance theater and her significant contributions to the art form [10]