Core Viewpoint - The exhibition "Heavenly Horses Galloping Across the River" aims to provide a comprehensive understanding of Xu Beihong beyond his association with horses, highlighting his multifaceted identity as a creator, educator, and art promoter [5][7][8]. Group 1: Exhibition Overview - The exhibition features over 24 original works by Xu Beihong and aims to systematically trace his artistic legacy in Sichuan, marking the 90th anniversary of his arrival in the region [5][8]. - The exhibition seeks to dismantle the perception of Xu Beihong solely as a "horse painter," encouraging visitors to appreciate a broader and more nuanced view of his contributions to art [6][8]. Group 2: Xu Beihong's Artistic Development - Xu Beihong's time in Sichuan during the 1930s and 1940s was a crucial period for his artistic development, providing a relatively stable environment amidst the chaos of war [6][7]. - His works created during this period, such as "On the Way to Qingcheng Mountain" and "Confucius Listening to His Disciples," reflect his deep engagement with the local culture and landscape [7][8]. Group 3: Educational Contributions - Xu Beihong played a significant role in modern Chinese art education, co-founding the Chinese Academy of Fine Arts in Sichuan, which laid the groundwork for contemporary art education in China [7][8]. - The "Xu Beihong School" in Sichuan is seen as a microcosm of modern Chinese art education, emphasizing the importance of life drawing and scientific modeling in teaching [7][8]. Group 4: Legacy and Influence - Xu Beihong is remembered not only for his artistic skills but also for his character and generosity, having supported many artists, including Qi Baishi and Fu Baoshi, throughout his career [9][10]. - His commitment to nurturing talent and promoting art reflects a broader ethos of inclusivity and support within the art community [9][10]. Group 5: Artistic Philosophy - Xu Beihong's art is characterized by a strong humanistic spirit and realism, influenced by his personal experiences and societal observations [13][14]. - He advocated for a connection between art and the people, emphasizing the social function of art and its role in addressing real-life issues [13][14]. Group 6: Future of Art - The need for art to be accessible and engaging for the public is emphasized, with a call for more inclusive art education and outreach initiatives [14]. - The cultural atmosphere in cities like Chengdu is highlighted as a positive example of how art can be integrated into everyday life, fostering a vibrant aesthetic culture [14].