作为当代中国博物画领域的标杆人物，曾孝濂与杨恩生的创作轨迹虽不相同，却有着相通的"自然 情怀"。曾孝濂扎根植物科学插图六十余载，笔下的花草鸟兽兼具科学的精准与艺术的灵动；杨恩生从 水彩静物画转向生态创作，用光影与色彩捕捉自然生灵的鲜活气息。 8月28日，"徜徉自然之境——大师们的艺绘人生与博物情怀"博物画双人联展在浙江自然博物院杭 州馆拉开帷幕。这场展览意义特殊——既是中国大陆博物画泰斗曾孝濂与中国台湾生态艺术名家杨恩生 的跨界对话，也是浙江自然博物院馆藏博物画精品的集中亮相。 "博物画没有门派，大自然就是共同的老师；也没有门槛，只要肯用眼睛观察、用心灵感受，人人 都能靠近它。"开展现场，86岁的曾孝濂谈及创作初心时，话语质朴却充满力量。这位仍保持着每天10 小时创作强度的老人，从1958年进入中国科学院昆明植物研究所起，就与博物画结下不解之缘：为《中 国植物志》《西藏植物志》等50余部科学专著绘制插图。而杨恩生则用"生态艺术"重新定义博物画的边 界。"它不只是绘画，还是雕塑、文学、摄影，核心是展现生物与生物、生物与环境的互动。"杨恩生30 岁前以水彩静物画成名，1987年起专注生态主题：探访全球追寻鸟类踪迹 ...

Core Viewpoint - The exhibition "Wandering in the Realm of Nature - Masters' Artistic Life and Natural Sentiment" showcases 100 representative works by renowned artists, highlighting the integration of art and science in the field of natural history illustration [1][5]. Group 1: Exhibition Details - The exhibition opened on August 28 at the Zhejiang Natural History Museum in Hangzhou [1]. - It features works from Zeng Xiaolian, a senior engineer at the Kunming Institute of Botany, and Yang Ensheng, a first-generation ecological artist from Taiwan [1]. - The exhibition will run until November 30 [5]. Group 2: Nature Illustration - Natural history illustration is a blend of scientific observation and artistic expression, capturing the characteristics of flora and fauna [2]. - It can be categorized into two types: one focusing on the accurate depiction of species, and the other emphasizing ecological relationships among species and their environments [2]. Group 3: Artists' Contributions - Zeng Xiaolian and Yang Ensheng, despite their different professional backgrounds, share a common passion for nature, which drives their work in natural history illustration [5]. - Their artworks reflect the natural essence of organisms and the close relationship between species and their environments, combining scientific accuracy with artistic appeal [5].