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Allegory of Rethinking Tradition:Folk Music | Attila Özdek | TEDxNecmettin Erbakan University
TEDx Talks· 2025-07-11 16:35
Core Argument - The presentation explores the relationship between tradition and modernity, suggesting they are not opposing forces but rather cyclical and interconnected elements [2][3][4] - It emphasizes that every modern concept emerges from a preceding tradition, and every tradition can be seen as the modern iteration of earlier traditions [4] Allegory in Folk Music - Folk music utilizes allegory in two primary ways: through the allegorical instrumentality of musical instruments and through allegorical narratives within the music itself [6] - Instruments like the *saz* (a stringed instrument) can convey meaning through their construction, such as the number of strings or holes, which may hold cultural or religious significance [8][9] - In folk songs, the *saz* is often personified and used as a vehicle for expressing ideas, with the musician claiming, "I am not speaking, my *saz* is speaking" [9][10] Aşık Veysel as a Symbol - Aşık Veysel, a prominent figure in Turkish folk music, embodies the fusion of tradition and modernity, symbolized by his traditional *saz* paired with a modern fedora hat [11][12][13] - His famous song "Uzun İnce Bir Yoldayım" ("I am on a long, narrow road") uses allegorical language to reflect on life's journey [14][15] Interpreting Allegorical Expressions - Folk music contains allegorical expressions using elements like celestial bodies, landscapes, flora, fauna, and everyday objects, but their interpretation requires careful consideration [17][18] - Symbols such as doors, windows, roads, chimneys, numbers, and body parts may have hidden, esoteric meanings, particularly in *deyişler*, *tevhitler*, and *devriyeler* (types of Sufi devotional songs) [19] The Case of Aşık Sıtkı Baba's "Devriye" - Aşık Sıtkı Baba's *devriye* is rich in meaning and requires extensive knowledge to decipher its esoteric and Sufi content [20] - A misinterpretation of a line in his *devriye*, where "14 years" was mistakenly rendered as "14,000% years," led to extensive analysis by theologians, anthropologists, and sociologists [21][22][23] Re-evaluating Tradition - Re-examining tradition involves not only incorporating new sounds and styles but also correcting errors, distinguishing between genuine folklore and fabricated traditions, and recognizing invented traditions [25] - Tradition serves as a blueprint for the future, and the future is a reflection of tradition [25]