一把折扇，吴昌硕以其"用笔如铁，泼墨如潮；铮铮之铁，茂茂之毫"，鼓荡出古籀的金石之气。他的石 鼓文创作乃开新风，一日有一日之境界。 一对文房联，两平方尺上下，溥心畬挥毫创制，联语写十二月花神、月令，词清调雅，蓄足了他的清 贵。其中的清明之气和闲静之美令人心旷神怡。 这便是小品书法，一股清流，一番雅趣，一抹微云，一段气象，尺幅虽小却意境深远、趣味横生，或妍 丽，或朴拙，或工致，或疏放，能尽精微，亦能致广大。咫尺之间，书者写浩茫心事，蕴生命情调、宇 宙意识，气象万千。"会心处不必在远。翳然林水，便自有濠、濮间想也。觉鸟兽禽鱼，自来亲人。"小 品书法以少少许，胜多多许，形式简单，意涵丰富。这是凝练的中国艺术精神，彰显出中国气度与风 神。 为传递蕴藏在中华优秀传统文化中的人文精神和审美价值，通过案头清趣和笺纸墨韵彰显新的时代内 涵，时隔10余年，中国书法家协会等日前举办了"全国第二届小品书法展览"。通过多方面努力，本届展 览的确有许多进步：同质化的痼疾被抑制，多元化的风格初露端倪，以临摹为创造的状况有所改善，书 写者在承续传统的基础上开始注重个性化表达。更有一些作者运用尺幅更小的纸绢，创作笔简趣浓、纸 短情长的真正小 ...

Group 1 - The exhibition "Water on Old Beijing" is held at IKEA Huiju Shopping Center in Beijing from June 6 to June 30 to celebrate the 75th anniversary of diplomatic relations between Sweden and China, showcasing rare photographs taken by Swedish sinologist Osvald Sirén during his travels in early 20th century Beijing [1] - Osvald Sirén (1879-1966) is recognized as a pioneer in the study of Chinese art history in the West, having served as a professor of art history at Stockholm University and shifted his focus from Italian Renaissance art to Chinese art over a span of fifty years [1] - Sirén's research contributions encompass various aspects of Chinese art, including architecture, sculpture, gardens, painting, and urban planning, demonstrating excellence in theory, appreciation, and collection [1] Group 2 - Sirén was not only an advisor for numerous museums and private collectors in the West regarding Chinese art but was also an avid collector himself, with traditional Chinese art significantly influencing his perspective on art and lifestyle [2] - His notable publications on Chinese art include "The City Walls and Gates of Beijing" (1924), "Chinese Sculpture of the 5th to 14th Century" (1925), "Complete Illustrated Map of the Imperial City of Beijing" (1926), "Early History of Chinese Art" (1929-1930), "Chinese Art Theory" (1933), and "Chinese Gardens" (1949), culminating in his magnum opus, the seven-volume "Chinese Painting: Masters and Principles" (1956-1958) [2] - Sirén is regarded as an encyclopedic figure in the field of Chinese art research, a rare achievement for a Western scholar [2]

（原标题：黄建南：在视象与心象之间重构东方美学） 当摄影技术解构了绘画的"再现"使命后，艺术家如何通过画笔抵达心灵的真实？黄建南用半个世纪的艺 术实践给出了答案——在1972 至 1981 年的近10年里"，这位年轻画家背着画箱行走累计三万八千公 里，从敦煌鸣沙山的落日到黄山云海的晨霭，从巴黎塞纳河畔的倒影到阿拉斯加极光的幻变，他将身体 丈量过的土地转化为心灵的图式。这段苦行僧般的旅程，正如石涛所言"搜尽奇峰打草稿"，在风餐露宿 中完成了从"目视"到"心观"的蜕变。 大地的乐章 2013 镜心 大地密码系列之十 2016 大地情怀 2020 设色纸本 水墨 大漠行 2010 彩墨 镜心 大洋密码 2020 彩墨 镜心 大洋密码 2020 彩墨 镜心 高原红 2016 亚克力 油画 高原之春 2020 设色纸本 镜心 光明在即 2011 彩墨 镜心 河谷 2011 彩墨 镜心 和谐 2016 设色纸本 镜心 黄建南曾师从关山月学习，在美院时期便显露出对传统程式的突破意识。他临摹莫奈《睡莲》时思考如 何将水墨的"飞白"融入油彩，揣摩吴冠中《双燕》时尝试用点彩重构江南意象。这种跨文化的自觉，在 漫长的行走中逐渐升华 ...