Core Viewpoint - The development of new public cultural spaces, including urban reading rooms, cultural stations, cultural auditoriums, and cultural squares, is essential for optimizing grassroots public cultural service networks and enhancing spatial quality, thereby promoting high-quality public cultural services [1] Group 1: Importance of New Public Cultural Spaces - New public cultural spaces are crucial for implementing the "Public Cultural Service Quality Improvement Action" as outlined in the 15th Five-Year Plan [1] - As of now, there are over 40,000 various new public cultural spaces across the country [1] - There are existing challenges such as insufficient integration of diverse business formats and low efficiency in some new public cultural spaces [1] Group 2: Multi-Industry Integration - Multi-industry integration is not merely about stacking different formats but involves breaking physical and functional boundaries to create a flexible combination of cultural content and related industries [2] - The new public cultural spaces aim to transform the traditional model of "single function, static service, and segmented business" into an open, diverse, and high-quality cultural space [2] - There is a shift in public expectations from merely having cultural services to desiring high-quality and refined experiences [2] Group 3: Demand-Driven Approach - The integration of new public cultural spaces must pivot from supply-driven to demand-driven, creating a broad coverage and multi-scenario matrix [3] - It is essential to develop thematic and segmented space types tailored to different groups based on feedback and user profiles [3] - Events like "Intangible Cultural Heritage Week" exemplify the integration of various activities to enhance user engagement and experience [3] Group 4: Local Cultural Characteristics - Local cultural characteristics are vital for giving unique identity and vitality to multi-industry integration [4] - By deeply exploring local historical contexts, folk customs, and traditional skills, public cultural spaces can avoid homogenization [4] - Successful examples include "Qiu Bai Book Garden" in Changzhou and "He Luo Book Garden" in Luoyang, which integrate local cultural heritage with public services [4] Group 5: Technological Empowerment - Technology plays a significant role in enhancing the quality of cultural experiences in new public cultural spaces [5] - Utilizing digital, networked, and intelligent methods can provide smart, high-quality, and extendable cultural services [5] - The integration of online and offline services is crucial for enhancing accessibility and user engagement [5] Group 6: Collaborative Operations - A multi-party collaborative operation model is essential for the sustainable development of new public cultural spaces [6] - The shift from a government-led model to one that includes market operations and social participation is necessary for effective resource integration [6] - Establishing mechanisms for social participation and feedback ensures that public cultural services align with community needs [6]