剧集题材创新

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2025分账剧火了谁?
3 6 Ke· 2025-09-08 01:34
Core Insights - The summer season is concluding with limited hit series, with "Sheng Wan Wu" being a standout, while the split-revenue drama sector has seen several low-cost productions achieving significant returns [1][4] - Key genres driving success in the split-revenue market include male-oriented, suspense, and romance, indicating strong audience demand [1][4][13] Split-Revenue Drama Performance - "I Am Zhao Jia Di Season 2" achieved a split revenue of 50.4 million, leading the long drama category, while other notable performances include "Mian Cheng" at 10 million and "Chun Lai Ding Feng Bo" at 25 million [2] - In the medium and short drama categories, "Zhu Que Tang" stands out with a revenue of 37 million, while "Bi An Deng Ta" and "Xian Xu" also performed well with revenues of 15 million and 16 million respectively [2][11] Genre Trends - Male-oriented dramas are gaining traction, with "I Am Zhao Jia Di Season 2" being the only long drama hit this year, while other successful titles like "Ming Bu Xu Chuan" and "Ni Zai Li Hun Jin Xing Shi" are primarily in medium and short formats [4][6] - Suspense dramas are also thriving, with titles like "Mie Zui" and "Xing Zhen Xian Chang" contributing significantly to the market, showcasing a diverse range of storytelling [8][11] Audience Engagement - The success of male-oriented dramas indicates a growing focus on male audiences, with narratives often centered around themes of empowerment and success [6][14] - Suspense dramas are attracting viewers through engaging plots and character dynamics, with a notable trend towards reducing romantic subplots to enhance narrative focus [16][18] Innovative Storytelling - New narrative frameworks are emerging in both male-oriented and suspense genres, with elements like "rebirth" and "golden finger" becoming prevalent in male-centric stories [14][20] - In romance, innovative settings and unconventional plots are being introduced, such as virtual reality scenarios and dual-time narratives, to captivate audiences [18][20] Conclusion - The split-revenue drama market is evolving, with a mix of traditional and innovative storytelling approaches catering to diverse audience preferences, reflecting a significant shift in viewer engagement and content consumption [20][21]