Core Points - The article discusses the themes of "infinity" and existential despair in the works of Laszlo Krasznahorkai, particularly in his novel "Satan's Tango" and the short story "Throwing Off Elmer Bogdanovich" [3][12][17] - It draws parallels between Krasznahorkai's writing style and that of Kafka, emphasizing the sense of being trapped in a cyclical, meaningless existence [15][17] - The narrative often reflects on the futility of human actions against the backdrop of an indifferent universe, symbolized by relentless rain and decay [4][9][17] Summary by Sections Themes of Infinity - Krasznahorkai's works are characterized by a fascination with the concept of "infinity," which permeates his narratives and evokes a sense of melancholy [3][4] - The characters often find themselves in a state of existential limbo, reflecting on their relationships and the futility of their actions [3][12] Writing Style - The author employs long, unbroken sentences that create a dense atmosphere, mirroring the oppressive nature of the rain in "Satan's Tango" [8][9] - This stylistic choice serves to compress the characters' experiences and emotions, emphasizing their shared sense of despair [8][9] Symbolism of Rain - Rain serves as a central symbol in Krasznahorkai's narratives, representing stagnation and the inevitability of decay [9][12] - The characters are often depicted as being trapped in a cycle of waiting for the rain to stop, which never happens, reflecting their broader existential plight [9][12] Kafka's Influence - The article highlights the influence of Kafka on Krasznahorkai, particularly in their shared exploration of fate and the human condition [15][17] - Both authors depict characters who are caught in a web of societal and existential constraints, unable to escape their predetermined paths [15][17] Societal Commentary - Krasznahorkai's works are seen as a commentary on the disintegration of society, particularly in the context of Hungary's socio-political landscape during the 1980s [9][17] - The narratives evoke a sense of impending doom, likening the characters' experiences to the biblical flood, suggesting a collective awareness of their precarious existence [9][17]