Core Viewpoint - The article discusses how China's heritage protection practices provide a new paradigm for South-South cooperation, particularly through the "Tea Road" exhibition held in Brazil, which serves as a bridge for cultural exchange and understanding [1][3][5]. Group 1: Cultural Exchange and Significance - The exhibition allows the Brazilian public to engage with the rich history and cultural heritage of the "Tea Road," acting as a bridge between civilizations and promoting international dialogue [3][5]. - The event plays a crucial role in introducing and deepening the concept of "cultural routes" in Brazil, which is still relatively unfamiliar to broader institutions and the public [3][5]. Group 2: South-South Cooperation and Heritage Protection - The "Tea Road" exhibition exemplifies how South-South cooperation can enhance heritage protection and dynamic transmission through knowledge exchange and collaborative research among global South countries [5][6]. - This cooperation model roots heritage protection practices in shared historical experiences, cultural values, and knowledge systems [5][6]. Group 3: Technological Integration in Heritage Preservation - China's integration of advanced technology with traditional preservation practices is highlighted, particularly through the digitalization of over 900,000 artifacts at the Palace Museum, showcasing the powerful role of digital tools in heritage education and preservation [7][9]. - Cloud technology is revolutionizing the ways tangible and intangible heritage is protected, emphasizing the continuity of cultural significance and knowledge transmission [7][9]. Group 4: Future Directions and Collaborative Efforts - The establishment of the UNESCO "Heritage and Cultural Landscape" chair at Minas Gerais University aims to connect universities, research centers, and cultural institutions in the global South to rethink the definition of heritage as a dynamic and co-created field [10][11]. - The article emphasizes the importance of incorporating critical and creative voices from the global South into the dialogue on heritage, which is essential for building a more inclusive and equitable future in heritage studies and practices [11].