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专访刘屹|气候变化、高僧入华与佛教美术版图的改写
Xin Lang Cai Jing· 2026-02-18 03:55
Group 1 - The core viewpoint of the news is the introduction of the "New Era Dunhuang Studies Series," which aims to reflect contemporary scholars' latest research achievements in Dunhuang studies and related fields, emphasizing interdisciplinary approaches and international dialogue [1][2][3] - The first volume of the series, edited by Professor Rong Xinjian, will be published by Zhejiang Ancient Books Publishing House in 2025, featuring five works that cover various aspects of Dunhuang and Turfan studies [1][4] - The series aims to occupy a leading position in Dunhuang studies and expand new perspectives and methodologies, integrating history, archaeology, art studies, and literature studies [1][2] Group 2 - Professor Liu Yi, the author of "Miaoxiang Xirong: The Historical Backdrop of Buddhist Art and Cave Art," discusses the decline of Gandhara Buddhism, attributing it to a combination of economic collapse, talent loss, competition, and natural disasters rather than solely to the anti-Buddhist movements [6][9] - The book includes nearly fifty images of Buddhist sculptures and caves, using visual materials to trace the historical context and background of Buddhist art and thought [2][4] - Liu Yi emphasizes the need for a comprehensive exploration of the factors contributing to the decline of Gandhara Buddhism, moving beyond traditional narratives that focus solely on the "anti-Buddhist" perspective [6][9] Group 3 - The book discusses the unique characteristics of Buddhist art in the Luoyang region during the Tang dynasty, suggesting that the creation of certain sculptures was driven by lower-class believers rather than elite influences [15][18] - It highlights the importance of high-quality images in art history research, noting that the visual representation of artworks can significantly enhance understanding compared to textual descriptions [28][29] - The series aims to contribute to the ongoing dialogue between Chinese and international scholarship on Buddhist art, reflecting the evolving nature of Buddhist artistic traditions across different regions and periods [21][22][23]