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在《爆水管》里,彭于晏勇闯喜剧赛道大呼“过瘾!”
Xin Lang Cai Jing· 2026-01-19 00:39
《爆水管》预告片(01:14) 犯罪喜剧电影《爆水管》日前在北京举行"顶疯相见,开年爆笑"主题首映礼。导演周涤啡携主演彭于晏、艾伦、周游、杨皓宇等全阵容亮相,现 场笑声不断。观众用"解压神器""精神SPA"评价这部融合犯罪、喜剧与职场隐喻的作品,而彭于晏首次深入喜剧赛道的表现更成为全场焦点。该 片将于1月23日全国上映。 影片以"治安太好导致警察失业"的荒诞设定为引:一个东南亚小镇中,卷王警察于大海(彭于晏 饰)起早贪黑,努力工作,让小镇连续7年维持0 犯罪率。结果因为没有案子,警察将被全员辞退,"铁饭碗"成了"塑料碗",为保住工作,于大海决定和队友们一起造个大案。与此同时,真正的 大案正在发生,前来投奔罗四季(艾伦 饰)的盗墓贼罗浩(周游 饰)、牛大轮(闫佩伦 饰)一家人,盯上了传说中藏有宝藏的古墓,而这个古 墓就在警局之下…… 饰演盗墓家族"狠人担当"罗浩的周游也是首次出演反派,在分享角色时他表示自己是:"第一次去尝试这样的角色,人狠话少,干脆利落。"不仅 如此,周游还笑称罗浩其实不仅狠,还够虎,刚从监狱出来就敢跟着盗墓家族一起去东南亚警局挖宝了。 而杨皓宇饰演的东南亚警局局长老葛身边可谓没有心腹,全是大 ...
《浪浪山小妖怪》:无名之辈们顶替不了唐僧,但也能取得自己的“真经”
3 6 Ke· 2025-08-13 02:36
Core Insights - The film "Lalang Mountain Little Monster" has emerged as a dark horse in the summer box office, significantly impacting the development of Chinese commercial animated films and successfully resonating with audience emotions [1][3] - The film's box office forecast has surged from an initial estimate of 400-500 million to over 1.5 billion, breaking records for domestic 2D animated films [1] Group 1: Film Performance - "Lalang Mountain Little Monster" achieved consecutive daily box office earnings exceeding 100 million during its second weekend, leading in attendance rates among films released during the same period [1] - The film is expected to surpass the box office record of "Suzume's Journey" in the Chinese market, potentially becoming the highest-grossing 2D animated film in China [1] Group 2: Production and Concept - The production cost of "Lalang Mountain Little Monster" is among the lowest in the summer blockbuster category, highlighting its unexpected success [3] - The film is based on a popular short from "Chinese Tales" and features a parallel universe narrative, where the main characters, a group of grassroots monsters, embark on a whimsical journey [4] Group 3: Themes and Audience Engagement - The film's core narrative revolves around grassroots storytelling, with characters representing the marginalized and their struggles [6] - The audience demographic shows a significant representation of individuals aged 25-35, with over 50% of ticket buyers falling within this age group, indicating a broad appeal across generations [11] Group 4: Societal Reflection - The film reflects the current societal sentiment of the working class, using allegorical elements to address themes of ambition and the challenges faced in a rigid structural environment [15] - It aims to provide viewers with a sense of inner growth and self-discovery amidst collective confusion, resonating with the audience's desire for meaning in their lives [18]