Core Viewpoint - The article highlights the cultural significance and resurgence of vinyl records, particularly focusing on the "Universal Music Polydor Limited Edition Vinyl Exhibition" in Shanghai, showcasing the legacy of Hong Kong pop music and its iconic artists [1][3]. Summary by Sections Exhibition Overview - The exhibition features over 300 vinyl records curated by renowned music critic and collector Zhai Yi, celebrating the rich history of Polydor Records over the past fifty years [3]. - The event aims to promote the culture of physical records and allow contemporary music fans to revisit the golden era of Cantonese music [3]. Vinyl Record Pricing - Vinyl records from 1992, such as those by artists like Alan Tam and Leslie Cheung, now average over 10,000 yuan in the second-hand market due to their limited production [6]. - The scarcity of certain records, like Leslie Cheung's debut EP, significantly drives up their market value, with some records being sold for exorbitant prices due to their rarity [8][7]. Artist Highlights - The exhibition includes a special section dedicated to three generations of "music gods"—Sam Hui, Alan Tam, and Jacky Cheung—showcasing their evolution from newcomers to superstars [12]. - Sam Hui's album "Genius and Idiots," released in 1975, is noted for its role in mainstreaming Cantonese pop music, with multiple versions displayed at the exhibition [12]. Cultural Significance of Vinyl - The resurgence of vinyl records is attributed to a shift in consumer behavior, where younger audiences view records as collectibles rather than just music mediums [16]. - The article emphasizes that physical records represent a respect for music culture, providing a deeper connection to the stories and artistry behind the music compared to digital formats [16][13]. Industry Trends - The increase in vinyl production lines across various regions in China indicates a growing industry, moving beyond personal collections to a more structured market [16]. - The revival of physical records is seen as a potential avenue for the music industry to regain respect and viability, despite the challenges faced by record companies [16].

Core Viewpoint - The exhibition of "Universal Music Polydor Limited Edition Vinyl Exhibition" in Shanghai showcases the historical significance and cultural impact of Polydor records, highlighting the nostalgia and value of vinyl records in the context of Hong Kong's music scene [1][3][11]. Group 1: Exhibition Details - The exhibition features over 300 vinyl records, curated by renowned music critic and collector Zhai Yi, illustrating the illustrious history of Polydor records over half a century [3][10]. - The average price of vinyl records from 1992 in the second-hand market has reached over 10,000 yuan, reflecting their rarity and demand [3][5]. - The exhibition aims to promote the culture of physical records and allow contemporary music fans to revisit the golden era of Cantonese music [3][11]. Group 2: Vinyl Record Pricing - The pricing of vinyl records in the second-hand market is closely related to the release volume and the artist's popularity, rather than solely the music quality [7]. - For instance, the record "I Like Dreamin'" by Leslie Cheung had a limited release of approximately 200 copies, contributing to its high market value today [7][10]. - The scarcity of certain records, such as those from the early career of Leslie Cheung, significantly increases their collectible value [5][7]. Group 3: Cultural Significance - The resurgence of vinyl records is seen as a way to respect and appreciate music culture, with younger generations purchasing records not just for listening but also for collection purposes [11][13]. - The exhibition emphasizes that physical records provide a deeper connection to music history and culture, offering insights into the creative processes behind the albums [11][13]. - The growth of vinyl production lines in various regions indicates a developing industry that supports artists and enhances the music experience for consumers [13].