图片来源：ILLUSTRATION BY KLAWE RZECZY FOR FORBES; PHOTOS BY KATE GREEN/STRINGER/GETTY IMAGES; DIMITRIOS KAMBOURIS/GETTY IMAGES; PEACOCK/GETTY IMAGES; ALEX SLITZ/GETTY IMAGES 泰勒·斯威夫特（Taylor Swift）、Bad Bunny和The Weeknd等顶级音乐人在过去12个月合计斩获19亿美元收入，其中一位更是跻身亿万富豪行 列。 过去一年，碧昂丝（Beyoncé）成为亿万富豪，而另一位亿万富豪、流行天后泰勒·斯威夫特，则与堪萨斯城酋长队（Kansas City Chiefs）近端锋特拉维斯· 凯尔斯（Travis Kelce）迈入"订婚时代"，同时推出专辑《The Life of A Showgirl》。但唱响2025年最后高潮的，是The Weeknd。 这位35岁的流行乐坛巨星近日宣布，将音乐作品版权库的部分股权出售给Lyric Capital，据悉交易价值达10亿美元。但这并非一笔传统意义上的曲库出售 交易。The Weeknd将 ...

镜相工作室 . 以下文章来源于镜相工作室 ，作者镜相作者 商业世界的风向与人 来源丨 镜相工作室（ID： shangyejingxiang ） 作者丨阮怡玲 编辑丨 卢枕 图源丨Midjourney 还不到三年，AI已经从一个陌生的概念，变成生活中随处可见的元素。如今，AI慢慢具备越来越强大 的人类书写、表达、情感模拟等能力，它的飞速蔓延，在带来便利、提高效率的同时，也让大家或多 或少感受到了它的负面影响。 前段时间，美国版贴吧Reddit发言人说，2025年上半年他们已经删除了超过4000万条垃圾和虚假内 容，其中一个拥有2400万用户的超大社区的管理员 Cassie估计，高达50%的内容，都在某种程度上 被AI污染过。 大家使用AI越来越无所顾忌。工作危机、审美危机、思考危机逐渐浮现，AI进步的速度到了吓人的地 步，开始大举侵入情感、伦理与日常经验表达的核心领域。 于是，有一群人开始想办法对抗AI，捍卫自己在数字世界中的"真实性"与"主体性"。他们身处行业不 同，接触AI的主要渠道不同，也与AI产生了不同程度的对抗。写作者因为AI被迫使用更笨拙、更破碎 的表达，甚至丧失了表达欲；音乐工作者既要与AI竞争， ...

还不到三年，AI已经从一个陌生的概念，变成生活中随处可见的元素。如今，AI慢慢具备越来越强大的人类书写、表达、情感模拟等能力，它的飞速蔓 延，在带来便利、提高效率的同时，也让大家或多或少感受到了它的负面影响。 前段时间，美国版贴吧Reddit发言人说，2025年上半年他们已经删除了超过4000万条垃圾和虚假内容，其中一个拥有2400万用户的超大社区的管理员 Cassie估计，高达50%的内容，都在某种程度上被AI污染过。 大家使用AI越来越无所顾忌。工作危机、审美危机、思考危机逐渐浮现，AI进步的速度到了吓人的地步，开始大举侵入情感、伦理与日常经验表达的核 心领域。 于是，有一群人开始想办法对抗AI，捍卫自己在数字世界中的"真实性"与"主体性"。他们身处行业不同，接触AI的主要渠道不同，也与AI产生了不同程度 的对抗。写作者因为AI被迫使用更笨拙、更破碎的表达，甚至丧失了表达欲；音乐工作者既要与AI竞争，又得靠AI生存，努力在夹缝中寻找平衡；画手 因为AI被冤枉、被裁员，但也有人因此峰回路转，找到了对抗AI的办法。 未来，我们每个人都需要找到和AI共处的方法，为了保护我们自身的人性，和AI对抗或许是一个必经的 ...

本文源自：金融界AI电报 港股收盘，恒指收跌0.94%，科指收跌1.49%。腾讯音乐(01698.HK)跌超5%，比亚迪股份(01211.HK)跌 近4%，蔚来汽车(09866.HK)跌超3%。 ...

我们从中看到是，尽管"华语乐坛"被唱衰多年，但创作端的活力和乐迷的热情并未减退，只不过，无论年轻人还是前辈，都更加强调个人化叙事，这 让"华语乐坛"更难以形成共识。 01 极致的个人化叙事 2025年已经过去，各大平台的年度盘点都发布完毕，从盘点上看，每个平台的盘点体现了各自的特点，分层消费成为显而易见的市场结构。 但如果换一个角度，我们能看到华语乐坛的另一面。比如，在平台的盘点中，你很难看到陈娴静的名字，但她的新专辑却在2025年备受乐迷青睐。 结论来自于新音乐产业观察从网上采集的88份由媒体、乐评人和乐迷发布年度新专辑盘点，这是我们观察当下音乐市场的一个不同视角。 说到"华语乐坛"，近年来的舆论情绪普遍较负面，一个常见的理由是，缺乏像周杰伦这样能够引领"审美共识"的巨星。 这一点仍然体现在2025年的音乐盘点中，结合平台盘点还是乐迷盘点，我们没有看到能达成"审美共识"的现象级作品。比如，备受媒体和乐迷青睐的陈娴 静和张震岳，都没有出现在平台盘点中。而一些热门专辑，如陶喆的《STUPID POP SONGS》则较少出现在乐迷的盘点中。 | 排名 | 专辑 | 艺人 | 被盘点次数 | 占比 | TOP10次 ...

其中，马场地块的规划设计及前期工作正在高效推进，将打造为融合高端产业、文化休闲与公共空间的 城市新地标；中国人工智能(广州)产业园、中国人保（601319）广州国际金融中心、红专厂智能空间、 晶泰"人工智能＋"创新联合体、酷狗音乐总部、广棠科创城、生物医药健康产业基地等一大批项目加速 推进，产业集聚效应显现。 同时，天河区强化用地、审批、资金保障，加快建设市政路桥、新型能源体系、水网工程、数字新基建 等210个基础设施开工建设。加速贯通"六横七纵"骨架路网，创新实施土地收储"三步走"策略，全力突 破用地瓶颈，确保花城大道东延线、员村二横路等关键骨架路网项目于年内取得实质性进展，为广州国 际金融城等重点片区发展提供坚实空间保障。 天河区还加快车陂路北延线、火炉山隧道等22个续建项目，力争棠德路等18个项目新开工，推动华观路 西延线等14个项目完成前期工作，持续打通区域交通"大动脉"与"微循环"。 "十五五"开局伊始，广州市天河区召开全区重大项目工作会议，前瞻谋划重大项目超500个、总投资超 8000亿元，2026年力争完成固定资产投资超900亿元，实现连续三年每年迈上一个百亿级台阶。 2025年，天河区坚持"项 ...

2025年的高排名神曲，听名字即知定位——《跳楼机》《打火机》《第57次取消发送》《离开我的依赖》《先说爱的人为什么离开》《土坡上 的狗尾草》，等等。它们兼具20世纪90年代言情风和千禧年网络古早风，有些歌曲初听确实顺耳，配合伤感画面不断搅拌跟工业糖精一样的过 往，能吃是能吃，但不太健康。 又听了一整年鱼龙混杂的华语流行乐（如果"神曲"也算华语音乐的话），我们的耳朵，可真是辛苦了。 先说结论：建议从短视频平台、音乐平台的推荐机制中脱身，多听取有音乐品位的人（或者频道）的推荐。不要做流量的奴隶，否则耳朵注定受罪。 现在的音乐平台，不只是茧房，更像个"养殖场"。饲料配好，温度恒定，你戴上耳机，每天在圈定的区域内，听排行榜上催肥的音乐，漫无目的地闲逛、 发呆、吃草、长膘，最后在迷茫中被杀死。 （图/《玫瑰的故事》） "养殖场"提供的高排名神曲，听名字即知定位——《跳楼机》《打火机》《第57次取消发送》《离开我的依赖》《先说爱的人为什么离开》《土坡上的狗 尾草》，等等。它们兼具20世纪90年代言情风和千禧年网络古早风，有些歌曲初听确实顺耳，配合伤感画面不断搅拌跟工业糖精一样的过往，能吃是能 吃，但不太健康。 当然，我 ...

（来源：中国旅游报） 转自：中国旅游报 □ 陈 一 沈 涵 当夜色浸润丽江古城的青石板，纳西古乐如流水般淌过街巷，来自天南海北的游客沉醉其中，仿佛梦回 故里；当音乐厅中光影交织，江南丝竹载着观众渡过光音之河，恍若荡漾在苏浙水乡……这些时刻，音 乐已不再仅仅是背景，而成为直接可感、叩击身体的深层力量。伴随着沉浸式旅游的兴起，以及文旅融 合与数字化战略的推进，中国传统音乐正为创造更深层的文化体验开辟新的可能。 音乐如何打动人心 传统旅游研究往往将音乐体验解释为一种信息加工过程。例如，当游客在目的地听到《茉莉花》的旋律 时，声音信号首先被听觉系统接收，大脑识别其声学特征和音乐风格，然后联想到相应的地域文化，继 而对其产生情感认同和审美体验。这是一条"听觉输入—认知处理—情感输出"的感知路径。按照这一逻 辑，旅游目的地在设计音乐体验时，往往侧重于文化解说和背景介绍。然而，实践中许多现象无法被解 释：为什么游客会随着从未听过的节奏不自觉地摇摆身体却不需要了解其音乐背景？为什么不懂中文也 不熟悉中国文化的外国游客也会被二胡的音色打动？这都提示我们：音乐在旅游体验中的作用，可能不 仅仅是文化符号的理解，而是存在着更直接的认 ...

Core Insights - The entertainment industry is on the brink of significant changes driven by generational shifts in content consumption and creation, particularly influenced by platforms like Douyin [1] - The rise of AI is heralding a new productivity revolution in content production, which is expected to reshape the operational paths of IP and the landscape of downstream platforms [1] Group 1: Family Entertainment - The concept of family entertainment is evolving, with a focus on cross-generational empathy as the core element, as evidenced by the success of films like "Nezha 2" which grossed 15.4 billion [2] - The new phase of family entertainment is characterized by catering to diverse audience segments, with productions like "Sheng Wan Wu" appealing to both older and younger viewers [2] Group 2: Market Recovery - The industry is increasingly focused on practical solutions for market recovery, with the importance of blockbuster content being amplified to boost confidence and stabilize expectations [3] - Recovery strategies will involve a mix of releasing backlog projects and returning to strong genre content, emphasizing the need for content to flow to create market repair opportunities [3] Group 3: AI Production Capacity - AI has transitioned from experimental phases to becoming a crucial driver of productivity in the entertainment sector, with many companies integrating AI into traditional production processes [4] - The emergence of AI agents signifies a shift towards a more platformized and streamlined production structure, moving away from project-based models [4] Group 4: Electronic Actors - 2025 is marked as the year of electronic actors, with AI-generated performers beginning to establish themselves as professional artists, as seen with AI singer Yuri's successful MV [6] - AI actors are expected to play a significant role in reducing production costs for localized content and enhancing engagement with overseas audiences [6] Group 5: Human-Machine Collaboration - Human-machine collaboration in creative processes is redefining the roles and capabilities of creators, allowing AI to assist in creative ideation and decision-making [7] - This trend is expected to lower creative barriers and foster diverse expressions, while also raising questions about copyright and ethical considerations [7] Group 6: AI Content Quality Concerns - The proliferation of AI-generated content is leading to an influx of low-quality, homogeneous material, which risks diminishing user engagement and attention [8] - Platforms are facing challenges in balancing traffic and content quality, necessitating new content standards to maintain a healthy ecosystem [8] Group 7: Cyber Burnout - Users are experiencing cyber burnout due to the overwhelming volume of fragmented content, prompting a shift towards more immersive long-form content and offline experiences [9] - Platforms are investing in high-quality content to counteract this trend, as seen with Douyin's focus on premium offerings [9] Group 8: Aesthetic Trends - The "rough edge aesthetic" is emerging as a response to the polished AI-generated content, emphasizing authenticity and rawness in short videos [10][11] - This trend is fostering a unique sub-ecosystem of creators who prioritize genuine storytelling over perfection [11] Group 9: Individual Imaging Era - The new generation is increasingly using video as a primary form of social expression, supported by affordable professional equipment and user-friendly editing tools [12] - This shift is leading to a rise in personal storytelling and diverse aesthetic expressions, becoming a vital source of content vitality [12] Group 10: IP Development - The ByteDance ecosystem is facilitating the incubation of more IPs, with short dramas gaining strength in their ability to carry IP value, as demonstrated by successful series [13] - The music sector is witnessing a transformation, with platforms like Qishui Music rapidly growing and reshaping the competitive landscape [14] Group 11: Short Drama Evolution - 2025 is a pivotal year for short dramas, with significant growth in user engagement and the emergence of new stars, indicating a shift in the entertainment landscape [15] - The industry is questioning whether short dramas can produce universally appealing breakout stars, potentially rewriting the power dynamics in entertainment [16] Group 12: Market Segmentation - The short drama market is expanding into lower-tier markets, focusing on relatable themes for specific demographics, leading to a cost-effective production model [17] - This segmentation is creating a robust production system that efficiently meets the needs of targeted audiences [17] Group 13: Vertical Distribution - Vertical distribution is gaining traction in the film market, allowing for more stable revenue streams by connecting specific films with niche audiences [18] - The success of targeted distribution strategies is evident in the growth of companies focusing on high-quality niche content [18] Group 14: Niche Economy - The entertainment landscape is increasingly defined by niche economies, where success is achieved within specific interest groups rather than broad audiences [19] - This trend is fostering micro-communities that engage deeply with content, creating a self-sustaining commercial ecosystem [19] Group 15: Self-Identity Focus - Consumers are prioritizing self-identity and active participation in content creation, seeking deeper experiences and social connections through their consumption [20] - This shift is reflected in the rise of immersive experiences and fan-driven events that enhance community engagement [21] Group 16: Affordable Idols - The idol industry is decentralizing, with new avenues for aspiring performers emerging through live streaming and interactive experiences [22] - This trend is transforming audience roles from passive viewers to active participants, fostering closer emotional connections [22] Group 17: New Trends in Trendy Toys - The demand for trendy toys is surging, prompting new narratives and strategies from brands to engage younger consumers [23] - Brands are exploring direct-to-consumer models and leveraging social media to connect with target audiences [23] Group 18: IP Saturation - The IP market is experiencing intense competition, leading to a higher frequency of IP turnover and a need for strategic management of IP assets [24] - This saturation is raising concerns about the longevity and viability of individual IPs in a crowded marketplace [25] Group 19: Global Cultural Symbols - Chinese pop culture is beginning to establish its own global symbols, with brands like labubu gaining international recognition [26] - This development signifies a new phase in cultural export, with opportunities for content companies to participate in creating globally recognized cultural icons [26] Group 20: Event Festivals - Sports events are evolving into comprehensive experiences that blend entertainment, social interaction, and cultural engagement [27] - This trend is activating local economies and fostering community identity through integrated event experiences [27]

Group 1 - Warren Buffett officially retired as CEO of Berkshire Hathaway on December 31, 2025, at the age of 95, marking the end of an era in value investing [2] - The first successful trial of a 35,000-ton heavy-duty group train was conducted in China, achieving "virtual coupling" technology that allows trains to maintain safe distances without physical connections [3] - France has launched an investigation into Elon Musk's AI chatbot "Grok" for allegedly generating illegal pornographic content, affecting hundreds of victims including women and minors [4] Group 2 - Zong Fuli has resumed her role as the legal representative of Hongsheng Group, with changes in management personnel recorded on December 26, 2025 [6] - Xiaomi responded to adjustments in the configuration of its YU7 model, stating that the changes were made to optimize production processes and improve delivery efficiency [7] - Pang Donglai Group reported a sales revenue exceeding 23.531 billion yuan for 2025, with supermarkets contributing 12.643 billion yuan to the total [8] Group 3 - Elon Musk announced that his brain-machine interface company "Neuralink" will begin large-scale production of brain-machine interface devices in 2026, focusing on streamlined and automated surgical processes [9] - The official manufacturing PMI for December was reported at 50.1%, indicating a recovery in China's manufacturing sector with a 0.9 percentage point increase from the previous month [10] - Contemporary Amperex Technology Co., Ltd. (CATL) has entered the hydropower station business by partnering with other companies to establish a hydropower development company [11] Group 4 - The U.S. government has approved Samsung and SK Hynix to export chip manufacturing equipment to China in 2026 [12] - Changxin Technology's IPO application for the Sci-Tech Innovation Board has been accepted, with plans to raise 29.5 billion yuan [13]