如今，许多博物馆将视觉、听觉、触觉等多种感知方式融合，创造出多层次、立体的参观体验，让观众 能更深入地感受和理解展览及其背后的文化。博物馆不再仅仅是一个保存文物、举办展览的场所，而是 逐渐集学习、社交和休闲于一体的文化客厅。 当越来越多博物馆在走向"沉浸式"和"互动性"，感官残障人士在参观时，如何最大程度获取展品信息， 获得更深入、更有情绪价值的体验？在第34个"国际残疾人日"即将到来之际，中青报·中青网记者走访 多方，试图寻求解答。 残障人士的需求从"能进入"向"能深度体验"升级 湖南男孩林林今年9岁，4岁时就医诊断出视神经萎缩，如今只能感到光暗。过去几年，林林的爸爸妈妈 带他去多地问诊手术，也带他去当地的名胜古迹、博物馆。林林总是很期待，想要亲身抵达并"看看"北 京故宫、苏州园林。 妈妈唐君告诉中青报·中青网记者，许多场馆有盲文导览图和盲文导览册，她和孩子也会租耳机听讲 解，但缺乏视障人群专门的讲解版本。"希望能有视障人群专有版本，能对展品外形有更详细的描述， 比如长宽高、颜色与材质等。现在很多自助讲解耳机只是把展柜有的文字复现了一遍，没有太多信息增 量。" 林林喜欢触摸，在有的博物馆，他只能摸墙面突出的 ...

如今，许多博物馆将视觉、听觉、触觉等多种感知方式融合，创造出多层次、立体的参观体验，让观众 能更深入地感受和理解展览及其背后的文化。博物馆不再仅仅是一个保存文物、举办展览的场所，而是 逐渐集学习、社交和休闲于一体的文化客厅。 当越来越多博物馆在走向"沉浸式"和"互动性"，感官残障人士在参观时，如何最大程度获取展品信息， 获得更深入、更有情绪价值的体验？在第34个"国际残疾人日"即将到来之际，中青报·中青网记者走访 多方，试图寻求解答。 残障人士的需求从"能进入"向"能深度体验"升级 2024年12月3日，中国盲文图书馆·视障文化博物馆与甘肃省图书馆共同举办的"流动的博物馆"活动现 场。活动方供图 19岁的杨天心先天感音神经性耳聋，戴助听器可以放大声音，但她告诉中青报·中青网记者，听不清不 是因为声音小，而是"分辨率"不够，模糊的声音要配合观察说话人的口型，来判断对方说了什么。 她还是视网膜色素变性患者，如今双眼裸眼视力0.05，矫正视力0.3。平时她会使用一些辅助的软件，通 过镜头扫描场景识别物体或文字。她也了解到，会有视障人士在博物馆用AI工具来了解展品。 "盲人去博物馆的意义是什么？和在家听相关内容有什么 ...

Core Insights - The article highlights the growth and transformation of museums in China, emphasizing their evolving roles in society and the integration of technology to enhance visitor experiences [1][3][4] Group 1: Visitor Engagement and Growth - In 2024, approximately 1.49 billion visitors are expected to visit 7,046 museums in China, indicating an increase in both audience and museum numbers compared to the previous year [1] - The theme for International Museum Day 2024 is "The Future of Museums in a Rapidly Changing Society," reflecting the shift in museums from traditional roles to becoming cultural connectors [1] Group 2: Technological Integration - Museums are leveraging advanced technologies such as AI and digitalization to enhance the preservation and presentation of artifacts, allowing for immersive experiences and virtual interactions [3][4] - Digital models of collections are being utilized for online displays, immersive exhibitions, and virtual restoration, providing extensive opportunities for long-term preservation and utilization of artifacts [1] Group 3: Cultural Products and Consumer Engagement - The introduction of cultural and creative products (文创) has led to significant sales, with several major museums reporting annual sales exceeding 100 million yuan, driven largely by younger audiences [3][4] - Innovative collaborations, such as "Museum + Dining" and "Museum + Gaming," are expanding cultural consumption and enhancing visitor engagement [4] Group 4: Interactive Experiences - Museums are moving away from traditional display methods to more interactive and immersive experiences, allowing visitors to engage with exhibits in novel ways [7] - The focus has shifted from object-centered to visitor-centered experiences, encouraging public participation and interaction with cultural heritage [7]