IP - based Short Drama
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短剧已经离不开IP了
3 6 Ke· 2025-10-22 02:21
Core Insights - The short drama industry is transitioning from a phase driven by traffic and speculation to a more stable and systematic content production model centered around intellectual property (IP) [1][2][4] - The integration of IP into short dramas has become a standard practice, with web literature IP adaptations being the primary source of content [2][9] - The industry is witnessing a shift towards a structured approach to content development, allowing for sustainable production and multi-format adaptations [7][16] Group 1: Industry Trends - The number of newly authorized web literature IP short dramas is expected to exceed 1,600 in 2024, marking an 81% year-on-year increase, with a total of over 3,700 existing IP short dramas [1] - Major platforms and content creators are forming systematic IP co-creation mechanisms, with leading web literature platforms becoming the upstream source for short drama content [2][4] - The trend of "IP as a foundation" signifies a move towards a more industrialized approach to short drama production, focusing on the lifecycle of works rather than short-term clicks [8][17] Group 2: Production and Adaptation Strategies - Traditional film and television companies are adopting IP derivative strategies in short content, extending the lifecycle of long dramas through short adaptations [7][16] - The collaboration between platforms and content creators is leading to a multi-format approach, where projects can resonate across various media forms, enhancing audience engagement [7][9] - The short drama format is proving to be a cost-effective and efficient way to monetize IP, with the number of micro-short drama adaptations surpassing long dramas by five times [11][16] Group 3: Future Outlook - The relationship between short dramas and IP is evolving from mere borrowing to a symbiotic partnership, establishing a new balance in the content industry [16][17] - The future of short dramas is expected to be characterized by innovation in themes, business models, and talent structures, positioning them as a vital component of the content industry [16][17] - The "IP foundation" era for short dramas is just beginning, indicating a significant shift in the industry's commercial and brand logic [17]