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《写生珍禽图》
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坚守中国传统生态审美智慧(艺坛走笔)
Ren Min Ri Bao· 2025-12-13 22:01
中国传统文化蕴涵着极为丰富的生态思想,尤以中国传统山水画和花鸟画为典型。它们观照和呈现物 象、创造和表达心象的方式,直接反映出中国人对待自然的态度,形塑着独特的人与自然和谐共生模 式,不仅可为全球可持续发展贡献东方智慧,也可为我国生态文明建设提供重要助力。 生态审美的根基在于对自然之美的充分体认。自然生灵,千姿百态。历代画家以自然为师,注重观察自 然,体味自然造化之"道",用各种各样的方式描绘眼中、心中的山川草木。单是四时节律,在山水画中 便变幻出千般模样。比如,天是"春晃,夏苍,秋净,冬黯",山是"春山澹冶而如笑,夏山苍翠而如 滴,秋山明净而如妆,冬山惨淡而如睡",水是"春水微碧,夏水微凉,秋水微清,冬水微惨",云是"春 山之云明媚,秋山之云洁净,夏山之云蒸蔚,冬山之云寒凝"。对花鸟的表现,画家也做到细致入微, 常笼养草虫近距离审视,以求真实生动,又担心环境改变影响其自然神态和动作,再将其放生认真观 察,以求形全神足。像黄氏父子的《写生珍禽图》《山鹧棘雀图》、崔白《双喜图》等名作,每一笔线 条,每一种颜色,都使翎毛鳞趾、花草树木栩栩如生,自然本性纤毫毕现。 我国生态美学专家曾繁仁先生在解释"生生之谓易"时认 ...
丹青虫鸣
Ren Min Ri Bao· 2025-08-09 22:11
Group 1 - The article highlights the historical and cultural significance of insects in Chinese art, showcasing their detailed observation and representation throughout different dynasties [2][3]. - Insects, particularly crickets and grasshoppers, are associated with themes of prosperity and family lineage in traditional Chinese paintings, symbolizing fertility and continuity [3]. - Various artists from different periods, such as Huang Quan and Qi Baishi, have depicted insects with unique techniques, reflecting their artistic insights and the vibrant life of nature [2][3]. Group 2 - The article emphasizes the seasonal connection of insects, particularly in autumn, where the sounds of crickets are prominent, symbolizing abundance and continuity [3]. - The portrayal of butterflies in art serves as a metaphor for longevity and vitality, often combined with other elements to convey deeper meanings [3]. - There is a growing interest among urban dwellers to reconnect with nature, and insect-themed art serves as a bridge to evoke childhood memories and a sense of harmony with the natural world [3].
夏至,邂逅画中灵羽(古悦新喜)
Ren Min Ri Bao· 2025-06-21 21:47
Core Viewpoint - The articles highlight the artistic representation of birds in Chinese painting, emphasizing the relationship between birds, their environment, and seasonal changes, showcasing the skill and observation of Song Dynasty artists [2][3][4]. Group 1: Artistic Representation - The poem "Two Yellow Orioles Sing in the Green Willows" reflects the beauty of bird songs and their graceful postures, particularly focusing on the yellow oriole as a summer visitor in China [2]. - The painting "Sangzhi Huangniao Tu" depicts a yellow oriole feeding on mulberries, illustrating the realistic style and artistic pursuit of the Song Dynasty [2]. - The artwork "Pipa Shoudai Tu" by Xu Chongsi features a rare white male long-tailed shrike, symbolizing longevity, and captures the essence of the bird's breeding season coinciding with the ripening of loquats [2]. Group 2: Detailed Observations - Lin Chun's "Pipa Mountain Bird Map" captures the dark green eye bird, showcasing its delicate song and behavior as it interacts with its environment, particularly focusing on its observation of an ant on a loquat [3]. - The "Peach Branch Double Sparrow Map" illustrates two white-browed bush warblers, highlighting their preference for insects over fruits during the breeding season [3]. - Zhao Ji's "Xiesheng Zhenqin Tu" features 11 bird species, including the song thrush, emphasizing the connection between birds and seasonal flora, particularly the pomegranate flowers [3][4]. Group 3: Artistic Philosophy - The paintings not only depict birds realistically but also reflect the relationship between birds and their environment, seasons, and food sources, showcasing the sincerity of Song Dynasty artists [4].
笔墨绘成“生灵志”(上新了)
Ren Min Ri Bao· 2025-05-12 22:21
Core Viewpoint - The exhibition "Harmony of All Beings" at the Palace Museum showcases a rich collection of animal-themed paintings, emphasizing the value of harmony and respect for nature as articulated by the ancient philosopher Xunzi [4][5]. Group 1: Exhibition Overview - The exhibition features 117 paintings from the Five Dynasties to the Qing Dynasty, marking the first concentrated display of animal-themed artworks by the Palace Museum [4]. - The theme "Harmony of All Beings" reflects the pursuit of harmony and inclusivity, derived from Xunzi's thoughts [4]. Group 2: Exhibition Units - The exhibition is divided into three units: "Hundred Birds Singing in Spring," "Hundred Beasts Dancing," and "Hundred Forms of Life" [5][6]. Unit 1: Hundred Birds Singing in Spring - This unit showcases masterpieces from the Five Dynasties, highlighting the styles of masters Huang Quan and Xu Xi, with notable works like Huang Quan's "Painting of Rare Birds" and others from the Northern Song and Yuan Dynasties [5]. Unit 2: Hundred Beasts Dancing - This section features works that symbolize peace and auspiciousness, including "Cattle Herding" and "Hunting Dogs," with a centerpiece of Lang Shining's "Painting of a Horse" that captivates viewers with its lifelike representation [6]. Unit 3: Hundred Forms of Life - This unit focuses on insects and aquatic animals, showcasing works like "Butterfly Painting" and "Spring Stream Aquatic Life," reflecting the artists' observations and aesthetic appreciation of nature [6].