Core Viewpoint - The articles highlight the deep emotional connection between the military and civilians during the Anti-Japanese War in Shandong, particularly in the Yimeng region, and how this relationship has been artistically represented through various artworks that celebrate the spirit of mutual support and sacrifice [2][3]. Group 1: Artistic Representation - Artists have focused on the theme of "military-civilian unity," with works depicting the contributions of Yimeng women, such as the "Yimeng Red Sister" and "Yimeng Mother," showcasing their vital roles in the revolution [2]. - The oil painting "Monument" by Chen Guoli and Lü Jianjun symbolizes the enthusiasm of the people in supporting the war effort, using a handcart as a powerful emblem atop the mountains [3]. - Li Xueming's large-scale Chinese painting "Construction of the Shandong Anti-Japanese Base (Yimeng Monument)" presents a panoramic view of over 300 military and civilian individuals engaged in learning, production, and training, capturing the passionate spirit of the era [3]. Group 2: Cultural Significance - The artworks serve as vital samples for observing and studying the Yimeng spirit, reflecting the historical context and emotional depth of the period [3]. - The enduring spirit of "party and army unity, deep civilian-military ties, and shared life and death" continues to be passed down through generations of artists, despite the passage of time since the war [3].