而在福赛斯的书中，向维森塔尔透露这些秘情的人，是一个不可靠的证人，他也有自己的利益诉求：想要攫取纳 粹党徒存在瑞士银行里的大笔财富。福赛斯看到那篇虚虚实实的报道，从中了解到维森塔尔和他的虚虚实实的行 动理由后，十分坚定地编成了一个确凿的故事，他给"敖德萨"组织加上了一个政治目标：推翻新生不久的犹太国 家以色列，并且让彼得·米勒入手调查后，很快遭到追杀。 福赛斯写得很快。《豺狼的日子》只写了35天就完成了，一炮而红之后，出版商敦促着福赛斯趁热打铁。那个年 头的出版业正是一台兴旺运转的机器，福赛斯这样眼疾手快、脑筋灵活的作者，不成名都说不过去。他在新闻方 面的直觉，以及叙述故事的能力，在《敖德萨档案》里表现得淋漓尽致。他把故事的开端设定在了肯尼迪遇刺之 后，有点距离感，但又很真实，那些悬疑的片段细致入微，而且极为专业。比如说，米勒躲过了一次汽车炸弹暗 杀，原因是他驾驶的那辆捷豹XK150的悬挂系统很紧，刚好卡住了炸弹，使它失效。福赛斯写来，就好像他真的 把炸药安装在那个型号的车上，确认它的确不会爆炸一样。 《豺狼的日子》 小说体现了福赛斯的全知全能，他懂情报工作，懂媒体，懂政治格局的"前世今生"，懂军事国防，懂航 ...

Core Viewpoint - The article discusses the life and works of British author Frederick Forsyth, highlighting his transition from journalism to writing bestselling spy novels, particularly focusing on his debut novel "The Day of the Jackal" and its enduring popularity [1][2]. Group 1: Author's Background and Career - Frederick Forsyth passed away on June 9 at the age of 86, having transitioned from a journalist to a successful novelist after writing "The Day of the Jackal" in just 35 days [1]. - Forsyth's experiences as a journalist covering events like the Nigerian Civil War and assassination attempts on Charles de Gaulle informed his writing, adding authenticity to his narratives [2]. Group 2: Notable Works and Themes - "The Day of the Jackal" has sold over 10 million copies and remains in print 54 years after its initial release, showcasing its lasting appeal [1]. - Forsyth's other notable works include "The Odessa File," "The Fourth Protocol," and "The Dogs of War," each exploring themes of espionage, political intrigue, and the complexities of intelligence operations [2]. Group 3: Writing Style and Influence - Forsyth's novels differ from those of contemporaries like John le Carré and Ian Fleming, offering a unique blend of realism and narrative tension without the heavy gloom of le Carré's works or the superficiality of Fleming's characters [2]. - His background in the Royal Air Force and alleged connections to MI6 contributed to his perspective as a "Cold War novelist," enriching the authenticity of his storytelling [2].