Core Viewpoint - The artwork "Victory Night" by Feng Zikai serves as a poignant representation of a nation's rebirth following Japan's surrender in World War II, encapsulating the spirit of celebration and hope in Chongqing during that historic moment [3][4][5]. Summary by Sections Historical Context - On August 10, 1945, the announcement of Japan's unconditional surrender ignited a wave of celebration in Chongqing, with citizens flooding the streets to express their joy [3]. - The city experienced a vibrant atmosphere filled with music, laughter, and communal festivities, marking a significant moment in Chinese history [3][4]. Artistic Interpretation - Feng Zikai's "Victory Night" features a simple yet profound scene of a family and a cat, symbolizing national rebirth, resilience, hope for the future, and the return of peace [4][5]. - The painting's title, "Three Days After Japan's Surrender," serves as a precise historical anchor, reflecting the emotional intensity of the moment [4]. Cultural Significance - The artwork is not only a testament to the anti-war spirit but also a representation of Chongqing's identity as a heroic city, capturing the essence of collective healing after the trauma of war [5]. - The phrase "Japan's surrender" is highlighted as one of the most beautiful words in human experience, emphasizing the painting's role in memorializing the spirit of resistance and the importance of peace [5].

Core Viewpoint - The article discusses the significance of Feng Zikai's cartoons during the Anti-Japanese War, highlighting his artistic contributions and the emotional depth of his works that reflect the struggles and resilience of the Chinese people during wartime [4][5][6]. Summary by Sections Artistic Contributions - Feng Zikai's cartoons are rooted in the daily lives of ordinary people, showcasing his erudition and humor while conveying profound emotional messages [4]. - The book "Feng Zikai's Cartoon Class: Understanding Grandfather's Paintings" is structured into six sections, focusing on poetry, illustration art, wartime experiences, human conditions, children's stories, and anecdotes about friends and family [4]. Historical Context - On November 6, 1937, Feng Zikai began working on "Cartoon History of Japanese Invasion," documenting the atrocities of the Japanese invasion through cartoons [5]. - Feng Zikai's home, Yuanyuantang, was bombed, leading him to vow to escape rather than live as a slave to a foreign power, which prompted his journey through various cities until settling in Chongqing [5]. Impact of War - Feng Zikai believed that cartoons had a greater impact than written articles in promoting anti-Japanese sentiments among illiterate citizens, encouraging them to join the resistance [5][6]. - He actively participated in the cultural resistance by creating anti-war songs and cartoons, emphasizing the role of art in boosting morale during the war [5][6]. Personal Reflections - Feng Zikai expressed a strong sense of national identity during his time in Hankou, where he engaged with fellow artists and contributed to the Anti-Japanese War Literary Association [6]. - His works often contained symbolic meanings, such as the cartoon "Shell as a Vase," which illustrated the juxtaposition of war and peace [7]. Artistic Evolution - Throughout his journey, Feng Zikai's art evolved from focusing on characters to landscapes, reflecting his deepening understanding of art and the emotional weight of his experiences [8]. - His cartoons captured various themes, from the sorrow of displacement to the joy of reunification after the war, showcasing his optimistic outlook despite the hardships faced [8][9].