Core Viewpoint - The exhibition "Miró and America" showcases the artistic relationship between Spanish artist Joan Miró and American artists, featuring over 130 works, and highlights the influence of Miró's visits to the U.S. from 1947 to 1968 on his creative evolution [1][31]. Group 1: Exhibition Overview - The exhibition is organized by the Fundació Joan Miró in Barcelona and the Phillips Collection in Washington, D.C., celebrating the 50th anniversary of the Miró Foundation and running until February 2026, followed by a tour in Washington [1][31]. - It presents a chronological display of Miró's artistic dialogue with over 40 artists from different generations, focusing on the vibrant artistic innovations of the 1940s and 1950s [2]. Group 2: Miró's Artistic Journey - Miró's experiences in the U.S. opened new artistic possibilities, leading to a more grandiose, free, and materialized approach in his work [23]. - His first visit to the U.S. in 1947 marked a pivotal moment in his career, allowing him to connect with emerging American avant-garde artists and explore new materials and techniques [14][16]. Group 3: Artistic Influence and Techniques - Miró's works reflect a blend of surrealism and abstraction, with significant influences from American artists, which encouraged him to break traditional painting boundaries [12][18]. - He began using industrial materials like aluminum and copper, which contrasted with the softness of canvas, allowing for more intricate and dynamic expressions in his art [14][24]. Group 4: Public Art Projects - During his time in the U.S., Miró engaged in public art projects, including a ceramic mural for Harvard University and a large mural for UNESCO, which enhanced the public and monumental aspects of his work [24]. - His later works, such as the "Blue Series," showcased large-scale pieces that combined deep blue backgrounds with intricate symbols, merging spatial depth with his poetic vision [28]. Group 5: Exhibition's Academic Perspective - The exhibition challenges traditional narratives by positioning American influence as crucial in Miró's artistic development, emphasizing a two-way interaction between his work and American art movements [30]. - It highlights the role of female artists in mid-20th century abstract expressionism, providing a comprehensive view of transatlantic artistic exchanges through various mediums [30].